Daffodil Shoe Lady, 2010
| GRAHAM LITTLE | |
| Born in Scotland, 1972 | |
| Lives and works in London | |
| EDUCATION | |
| 1997-1998 Goldsmiths College, London, Associate Research, Fine Art | |
| 1996-1997 Goldsmiths College, London, MA Fine Art | |
| 1990-1995 Duncan of Jordanstone College, Dundee, BA Fine Art | |
| (1st Class Painting) | |
| SOLO EXHIBITIONS | |
| 2010 | Alison Jacques Gallery, London, UK |
| 2008 | Alison Jacques Gallery, London, UK |
| 2005 | Alison Jacques Gallery, London, UK |
| 2003 | aspreyjacques, London, UK |
| 2002 | Works on Paper Inc., Los Angeles, CA |
| 2001 | griedervonputtkamer, Berlin, Germany |
| Camden Arts Centre, London, UK | |
| 2000 | aspreyjacques, London, UK |
| GROUP EXHIBITIONS | |
| 2011 | Among Flesh, Alison Jacques Gallery, London, UK |
| 2010 | Lebenslust & Totentanz a selection from the Olbricht Collection, Kunsthalle Krems, Austria |
| 2009 | The Associates, Dundee Contemporary Arts, Dundee, UK |
| Drawing 2009 Biennial Fundraiser, The Drawing Room, London, UK | |
| 2008 | WALL ROCKETS: Contemporary Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, toured to Albright Knox Art Gallery, Buffalo, NY 2009 |
| 2007 | Attention to Detail, The FLAG Art Foundation, New York, NY |
| Sublime: Experience and Perceptions in Contemporary Sculpture, Pilar Parra & Romero, Madrid, Spain | |
| Final Exhibition at 4 Clifford Street, Alison Jacques Gallery, London, UK | |
| 2006 | The Souvenir Mine, Mizuma Action, Mizuma Art Gallery, Tokyo, Japan |
| Multiplication, MAC Museo de Arte Contemporaneo, Universidad de Chile, | |
| Santago, Chile | |
| New Trajectories I: Relocations: Recent painting, drawing and multi-media work from the Ovitz Family Collection, Los Angeles, Cooley Gallery, Portland | |
| 2005 | post_modellismus, Galerie Krinzinger, Vienna, Austria (touring) |
| Girls on Film, Zwirner and Wirth, Germany | |
| Works on Paper, Max Hetzler Galerie, Berlin, Germany | |
| 2004 | The Birthday Party, The Collective Gallery, Edinburgh, UK |
| Collage, Bloomberg Space, London, UK | |
| 2003 | Portraiture, Karyn Lovegrove Gallery, Los Angeles, CA |
| Images of Society, Kunstmuseum, Thun, Switzerland | |
| Not Everything, Jeffrey Charles Gallery, London, UK | |
| The Moment of Fiction, Cooper Gallery DJCAD University of Dundee, Dundee, UK | |
| Some Things We Like..., aspreyjacques, London, UK | |
| Chocker Fucking Blocked, Jeffrey Charles Gallery, London, UK | |
| 2002 | Drawing Now: Eight Propositions, MoMA, New York, NY |
| Now Is The Time, curated by Kenneth Freed, Dorsky Gallery, Long Island City, NY | |
| 2001 | What if I Told the Truth? Cell, London, UK |
| Multiplication, The British Council, National Museum of Art, Bucharest; Muzeul de Arta, Brazov; Muzeul Brukenthal, Sibu | |
| Tailsliding, The British Council, curated by Stephen Hepworth, touring exhibition commencing at Bergen Contemporary Art Centre, Norway | |
| The Alan Woods Collection, Cooper Gallery DJCAD University of Dundee, Dundee, UK | |
| Works on Paper Inc., Los Angeles, CA | |
| Tatoo Show, modern art, London, UK | |
| Hallucinating Love, curated by Gigiotto Del Vecchio, aspreyjacques, London, UK | |
| Clean, W139, Amsterdam, Netherlands | |
| 2000 | Include me Out, Unit 6, 48 Provost Street, London, UK |
| The Songs I Like, Michael Janssen, Cologne, Germany | |
| Lets Get to Work, Marcel Sitcoske Gallery, San Francisco, curated by Gavin Wade; Susquehanna Art Museum, Harrisburg, PA; Rosenwald Wolf Gallery, University of Arts, Philadelphia, PA | |
| www.blackandwhite.colour.3d.com, Gio' Marconi, Milan, Italy | |
| Shadow of Glamour, One In The Other, London, UK | |
| Paint Two, Northern Gallery for Contemporary Art, Sunderland, UK | |
| Hard Candy, 42 Westbourne Gardens, London and Weiland Gallery, Berlin, Germany | |
| 1999 | Heart and Soul, 60 Long Lane, London; Sandroni Rey Gallery, Los Angeles, CA |
| Painting Lab, Entwistle Gallery, London, UK | |
| This Season, Laure Genillard, London, UK | |
| Networking, P-House Gallery, Tokyo, Japan | |
| DIN, 4 x 4, Amsterdam, Netherlands | |
| Ways of Living, RMIT, Melbourne; The Freak Brother, Paris; Tablet at Tabernacle, London, UK | |
| coming up for air, Cooper Gallery DJCAD University of Dundee, Dundee, UK | |
| Accelerated Learning, Lower Foyer Gallery, Dundee, UK | |
| Readymade project, Wunderkammer, London, UK | |
| 1998 | dumbpop, Jerwood Gallery, London; LMU Gallery, Leeds, UK |
| new contemporaries 98, Tea Factory, Liverpool; Camden Arts Centre, London; Hatton Gallery, Newcastle, UK | |
| Clusterbomb, Morrison Judd, London, UK | |
| Helen Beckman / Graham Little, Transmission Gallery, Glasgow, UK | |
| Art Futures, Royal Festival Hall, London, UK | |
| 1997 | Documentation 98, Hotel, Zürich, Switzerland |
| Cookie, Kingsgate Gallery, London, UK | |
| Sweetie, Levi's Gallery, London, UK | |
| Underworld, 52 Commercial Road, London, UK | |
| Royal Society Portrait Painters, Mall Gallery, London, UK | |
| 1996 | Brave Art, SSA 'Mayfest' Exhibition, Glasgow, UK |
| 1995 | Society of Scottish Artists Annual Exhibition, RSA, Edinburgh, UK |
| Cluster, Collective Gallery, Edinburgh, UK | |
| Exchange, Dundee University, Dundee, UK | |
| Royal Scottish Academy, Edinburgh, UK | |
| COLLECTIONS | |
| Museum of Modern Art, New York | |
| Guggenheim Museum, New York | |
| Hammer Museum, Los Angeles | |
| Los Angeles Museum of Contemprary Art, Los Angeles | |
| British Council Collection | |
| Zabludowicz Collection, London | |
| Olbricht Collection, Berlin | |
| BIBLIOGRAPHY | |
| 2009 | David Trigg, MAP Magazine |
| 2008 | Laura Mclean-Ferris, 'Exhibitionist: What to see this week', Guardian.co.uk |
| Bronwyn Cosgrove, 'Fashion's A-Z of 2009', The Telegraph | |
| Focus London, Artist Directory, Flash Art, October 2008, p94 | |
| 40 Artists under 40, Time Out, October 2008, p. 21 | |
| 2007 | Model and Supermodel: The Artists' Model in British Art and Culture, edited by Jane Desmarais, Manchester University Press |
| 2006 | The souvenir mine, Bijutsu, Vol.58, 2006, p.21 -213 |
| Eliza Williams, 'Surface Beauty', Flash Art, May/June | |
| 2005 | 'BritArt: the next generation', The Independent, 1 December |
| Sally O'Reilly, 'Graham Little', Modern Painters, September (illus) | |
| 100 Future Greats, Art Review, December 2005 | |
| Barry Neuman, 'An Interview with Graham Little', | |
| Boiler www.boilermag.it | |
| 2004 | Matt Price, 'Mixed Paint, A Survey of Contemporary Painters', Flash Art, November - December (illus) |
| Nicoletta Cobolli Gigli, 'British Style', Arte, May, Numero 369, (illus) | |
| 2003 | 'Graham Little', review in Kultureflash, November |
| Margaret Studer, 'Contemporary Art is a Big Draw', The Wall Street Journal, October 24 - 26, (illus) | |
| Sally O'Reilly, 'Graham Little', review in Time Out, October 22-29 (illus) | |
| Julia Royse, 'Graham Little', review in Elle, October, P 71 (illus) | |
| Florence Hallett, 'Model Concept', interview in What's on in London, October 1, p27, (illus) | |
| 'Kunstmuseum Thun Gesellschaftsbilder', Praxis Magazin, October 1, (illus) | |
| Konrad Tobler, 'Der unbestimmte Blick auf die Gesellschaft', Zeitung im Espace Mitteland, September 12, (illus) | |
| 'Austellungen', NZZTicket, September 11 - 17, (illus) | |
| 'Gesellschaftsbilder im Visier', www.moneycab.com, September 10, (illus) | |
| 'In bester Gesellschaft', Sontags Zeitung, September 7, (illus) | |
| 'Gesellschaftsbilder', Woz die Wochenzeitung, September 4, (illus) | |
| 'Leben und Leute', Zeitung im Espace Mittelland, August 23, (illus) | |
| Laura Hoptman, Drawing Now: Eight Propositions, published in conjunction with the exhibition at MOMA QNS, New York | |
| Barbara Pollack, 'Drawing Now: Eight Propositions', Art Monthly, February, p 35 | |
| Tim Griffin, 'Drawing now', Artforum, January | |
| Simona Juracková, Britové obrazy a sochy vyrábejí', Mlada Fronta DNES, April 25, (illus) | |
| 2002 | Halle, 'Pampering the house, MOMA tries to wrest a zeitgeist from Drawing |
| Now', Time Out New York, November 7 - 14 | |
| Deborah Solomon, 'Pencil Revivalism', The New York Times Magazine, December 15 | |
| Mark Stevens,' Out of line, MoMA's exuberant survey of contemporary drawing rescues the genre from second class status', New York, December 16 | |
| Giancarlo Politti, 'Drawing Now?', Flash Art, December | |
| Jyrki Vuori, 'Nuori brittitaide rullalautaili Turkuun', Turun Sanomat, November 18, (illus) | |
| Graham Little, 'Self Portrait', Tema Celeste, September/October | |
| Eliza Williams, ZOO, June | |
| I-D Magazine, May | |
| Tim Hitcock, 'Multiples of choice', Weekend FT, April | |
| Claire Canning, Tank, March | |
| 2001 | Sissel Hamre Dagsland, 'Lek og moro i Kunstforeningen', Bergens Tidende, October 12, P 23 (illus) |
| Rachel Campbell-Johnston, 'How to get the needle', The Times, July 18 | |
| tailsliding, touring exhibition catalogue organised by The British Council, London; Colin Ledwith. | |
| Multiplication, exhibition catalogue, The British Council, London; | |
| Stephen Bury | |
| Rachel Campbell-Johnston, 'How to get the needle', The Times, July 18 | |
| Morgan Falconer, 'Hallucinating Love', What's On in London, July 18-25 | |
| Alex Coles, 'Graham Little', Artext, May/June/July 2001 | |
| Yvonne Charitonidou, 'Treibhaus der Kunst', Bolero magazine, July | |
| Helen Smithson, 'Brush Strokes', Ham and High, 25 May | |
| Laura Gascoigne, 'Graham Little', What's On, 23 May | |
| Paul Clark, Going Out, Evening Standard, 8 May | |
| Cedar Lewisohn, 'Generation Games', ArtReview, May, pp. 34-37 | |
| 2000 | Martin Coomer, Reviews in Time Out, 13 - 20 December |
| Louisa Buck, The Art Newspaper, December, no. 10 | |
| Gemma de Cruz, Artclub Magazine, Winter | |
| Niru S Ratnam, 'Stealing beauty', THE FACE, December | |
| Minnie Gastel, 'Se l'arte si ispira a un vestito', Donna, October, no.10 | |
| Nigel Prince, Zing Magazine, Summer | |
| ST, 'Paint Too', The North Guide, May | |
| 1999 | William Packer, 'Dumb by name but not by nature', Financial Times, January 12 |
| Alexandra Bradley, 'This Season', Art Monthly, December - January, no. 232 | |
| Patricia Ellis, 'Love and Rockets Virtually Virtual', Flash Art, March - April, no. 205 | |
| Gilda Williams, 'Heart & Soul, Art Monthly, September | |
| The Fiona Interview, 'Just a Little bit different!', The Courier, Friday, November 19 Stuart Shave, 'This Season's Colours', i-D Magazine, December, no. 193 | |
| Martin Coomer, 'This Season' at Laure Genillard, Time Out, December 8-15 | |
| Alex Farquharson, 'Painting Lab', Art Monthly, April, no. 225 | |
| Mark Sladen, 'Painting Lab', Contemporary Visual Arts, issue 21, pp. 32-37 | |
| Richard Jevons, 'dumbpop', Flux, February / March, no. 11 | |
| The Times Metro, January 3 | |
| 1998 | Tim Hilton, 'Dumb, dumber and dumbest', The Independent on Sunday, December 13 |
| Sarah Kent, 'Dumb and Dumber', Time Out, December 9-16 | |
| David Barrett, 'dumbpop', booklet published by Jerwood Gallery, London | |
| Sarah Kent, 'Dumbpop', Critic's Choice, December 9-16 | |
| John Russel Taylor, 'The Big Show: Dumbpop', Metro, January 2-8 | |
| i-D Magazine, August | |
| William Feaver, 'new contemporaries 98, Liverpool', The Observer, July 12 | |
| William Feaver, 'Exhibition of the Week', The Observer, August 18 | |
| Bev Bytheway and Sacha Craddock eds., 'new contemporaries 98', UK: New Contemporaries (1998) Ltd. | |
| 'new contemporaries 98', Artclub, Summer | |
| Helen Sumpter, 'new contemporaries 98', Big Issue, August 3-9 | |
| 'new contemporaries 98', An Magazine, September | |
| David Burrows, 'new contemporaries 98', Art Monthly, September | |
| Celia Lyttleton, 'Pop Goes the Easel', Tatler, July, vol. 293, no. 7, p. 31 | |
| Sarah Kent, 'Sweetie', Time Out, June | |
| John Beagles, 'Helen Beckman & Graham Little, The List, May 14-28 | |
| 1998 | 'Graham Little', Northern Exposure Magazine, September 3 |
| Matthew Collings, 'Martin's Rhetoric', Modern Painters, Winter | |
| Judith Jammers, 'Originell Statt Cool', Berliner Zeitung, August 27 | |
| 'Exit Poll-D umbpop', The Independent, December 12 | |
| Lucy Ryder Richardson, 'Zip Codes', Evening Standard Magazine, June 12 | |
| PUBLICATIONS | |
| 2008 | WALL ROCKETS: Contemporary Artists and Ed Ruscha, The FLAG Art Foundation, New York |
| Attention to Detail, The FLAG Art Foundation, New York | |
| The Judith Rothschild Foundation Contemporary Drawings Collection Gift, MoMA, New York | |
| 2005 | Vitamin D, published Phaidon Press |
| Valentina Sansone, Prague Biennale 2 expanded painting, published by Giancarlo Polti Editore | |
| Works on Paper, Max Hetzler Galerie, Berlin | |
| 2003 | Laura Hoptman, Drawing Now: Eight Propositions, published in conjunction with the exhibition at MOMA QNS, New York |
| Madeline Schuppli Einfuhrung, 'Gesellschaftsbilder- Images of Society', published in conjunction with the exhibition at Kunstmuseum Thun, Germany | |
| 2001 | Tailsliding, published in conjunction with The British Council's touring exhibition |