Sheila Hicks (b. Hastings, Nebraska 1934) graduated with a BFA and MFA from Yale University; she lives and works in Paris, France. Hicks has recently participated in the 20th Biennale of Sydney (2016), Glasgow International (2016) and as part of Weaving & We, Hangzhou Triennial of Fiber Art (2016). Hicks also exhibited as part of the São Paulo Biennial in 2012. Recent solo presentations include Sheila Hicks: Apprentissages, Festival d’Automne à Paris, Musee Carnavalet and Nanterre-Amandiers, Paris (2016); Sheila Hicks: Material Voices, Joslyn Art Museum, Omaha, Nebraska (2016); Sheila Hicks | Why Not, TextielMuseum, Tilburg, Netherlands (2016); Sheila Hicks, Contemporary Art Museum St. Louis, Missouri (2015); Foray into Chromatic Zones, Hayward Gallery, London (2015); La Pêcher dans La Rivière, Alison Jacques Gallery, London (2013); Sheila Hicks: 50 Years organised by the Addison Gallery, Andover, MA, travelled to the Institute of Contemporary Art, Philadelphia (2010/11) and the Mint Museum, Charlotte, North Carolina (2012); Entrelaces par Sheila Hicks, Textiles and Wickerworks of America and Oceania, Passage de Retz, Paris (2010); and Sheila Hicks: Weaving as Metaphor, Bard Graduate Centre for Studies in Decorative Arts, Design and Culture, New York, New York (2006). Her work is also currently on view in the "Constellations" display at Tate Liverpool (2015-2017). Hicks participated in the 2014 Whitney Biennial and was awarded the Smithsonian Archives of American Art Medal in 2010. Upcoming solo exhibitions are: Alison Jacques Gallery, London (2017); Museo Amparo, Mexico (2017); and Centre Pompidou, Paris (2018). Hicks will also participate in the 57th Venice Biennale, curated by Christine Macel.

 

Hicks has created monumental site-specific works for the Ford Foundation Headquarters and Federal Courthouse in New York; The Duke Endowment in Charlotte, North Carolina; King Saud University in Riyadh, Saudi Arabia; and the Institute for Advanced Study in Princeton, New Jersey amongst others and created a large-scale installation entitled Baôli in the Grande Rotonde at the Palais de Tokyo in Paris (2014-15).

 

Hicks’ work is featured in a number of prominent collections including Tate Gallery, London; Victoria & Albert Museum, London; Stedelijk Museum, Amsterdam; Centre Pompidou, Paris; Louis Vuitton Foundation, Paris; Museum of Modern Art, Tokyo; Museo de Bellas Artes, Santiago; Museum of Modern Art, New York and The Metropolitan Museum of Art, New York and the National Gallery, Washington D.C, Art Institute of Chicago, Pérez Art Museum, Miami, The Jewish Museum, New York and the Joslyn Art Museum, Omaha, Nebraska.