Heinrich, Tanya. Lenore Tawney: Mirror of the Universe. Sheboygan, Wisconsin: John Michael Kohler Arts Center, 2019.
Seaman, Donna. Identity Unknown: Rediscovering Seven American Women Artists. Bloomsbury USA 2017
Mangan, Kathleen. Lenore Tawney: Drawings in Air. Wilton, Connecticut: Browngrotta, 2007.
Cotter, Holland. Lenore Tawney: Signs on the Wind. Rohnert Park, California: Pomegranate Communications, Inc., 2002.
Moorjani, Angela. Beyond Fetishism and Other Excursions in Psychopragmatics. Semaphores and Signs. New York: St. Martin’s; London: Macmillan, 2000.
Schuyler, James. Selected Art Writings. Santa Rosa, California: Black Sparrow Press, 1998.
Simpson, Tommy, with Lisa Hammel. Hand and Home: The Homes of American Craftsmen. Boston: Little, Brown and Company, 1994.
Weltge, Sigrid Wortmann. Women’s Work: Textile Art from the Bauhaus. San Francisco: Chronicle Books, 1993.
Rubenstein, Charlotte Streifer. American Women Artists. Boston: G.K. Hall and Company, 1982.
Constantine, Mildred, and Jack Lenor Larsen. The Art Fabric: Mainstream. New York: Van Nostrand Reinhold, 1981.
Kuenzi, André. La Nouvelle Tapisserie. Lausanne: Bibliotheque des Arts, 1981.
Thalacker, Donald W. The Place of Art in the World of Architecture. New York: Chelsea House Publishers, 1980.
Munro, Eleanor. Originals: American Women Artists. New York: Simon and Schuster, 1979.
_____. Beyond Craft: The Art Fabric. New York: Van Nostrand Reinhold, 1972.
Nordness, Lee. Objects: USA. New York: Viking Press, 1970.
Kaufmann, Ruth. The New American Tapestry. New York: Reinhold Book Corporation, 1968.
Albers, Anni. On Weaving. Middletown, Connecticut: Wesleyan University Press, 1965.
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Glentzer, Molly. “Menil show looks at how abstract-artist friendships shaped works, genre.” Houston Chronicle, (27 May 2017).
Harren, Natilee. “Critics’ Picks: Between Land and Sea: Artists of the Counties Slip.” Artforum, (18 May 2017).
Tibbits, Randy. “‘Between Land and Sea’ at the Menil Offers Art From Regions Not Our Own.” Houston Press, (25 April 2017).
Griffin, Jonathan. "Weaving Histories." Frieze Masters 5 (2016): 72-77.
Auther, Elissa. "Lenore Tawney's Postcard Collages." The Journal of Modern Craft 8 (July 2015): 235-244.
Mangan, Kathleen Nugent. "Lenore Tawney's Cloud Series VI." Surface Design Journal 39 (Winter, 2015/2016): 48-51.
Livingston, Jack, with Peter Boyce. “Lenore Tawney: Wholly Unlooked For.” The Journal of Modern Craft 6 (July 2013): 229—234.
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Lawrence, Lee. “Artist of the Eternal Moment.” American Style 12 (Spring 1998): 54–61.
Stein, Judith E. “The Inventive Genius of Lenore Tawney: Reflections on a Lifetime of Art.” Fiberarts 24 (September/October 1997): 28–34.
Melrod, George. “The Fame Game.” Art & Antiques (Summer 1997): 72–79.
Braff, Phyllis. “Pulse on the Trigger.” Cover 11 (June 1997): 12.
Reif, Rita. “Artistry and Invention Seamlessly Joined.” New York Times, 26 November 1995.
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Guralnick, Margot. “Collage of A Lifetime.” HG (June 1991): 118–23, 155.
Seelig, Warren. “Meditative Image: The Art of Lenore Tawney.” American Craft 50 (August/September 1990): 36–43, 66.
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“Lenore Tawney: Her Designs Show Imaginative Departure from Traditional Tapestry Techniques.” Handweaver and Craftsman 13 (Spring 1962): 6–9.
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Lenore Tawney: Wholly Unlooked For, 2013, Maryland Institute College of Art, Baltimore, Maryland and University of the Arts, Philadelphia, Pennsylvania, foreword by Kathleen Nugent Mangan, text by Sid Sachs, Warren Seelig, and T’ai Smith.
Lenore Tawney: Drawings in Air, 2007, browngrotta arts, Wilton, Connecticut, text by Kathleen Nugent Mangan.
Lenore Tawney: Celebrating Five Decades of Work, 2000, browngrotta arts, Wilton, Connecticut, foreword by Kathleen Nugent Mangan, text by Sigrid Wortmann Weltge, notes by Lenore Tawney.
Vestures of Water: The Work of Lenore Tawney, 1997, Allentown Art Museum, Pennsylvania, text by Kathleen Nugent Mangan.
Lenore Tawney–Meditations: Assemblages, Collages, and Weavings, 1997, Michael Rosenfeld Gallery, New York, text by Judith E. Stein.
Lenore Tawney, 1996, Stedelijk Museum, Amsterdam, Netherlands, foreword by Rudi Fuchs, text by Liesbeth Crommelin and Kathleen Nugent Mangan.
Lenore Tawney: A Retrospective, 1990, American Craft Museum and Rizzoli International Publications, New York, edited by Kathleen Nugent Mangan, foreword by Katharine Kuh, text by Erika Billeter, Kathleen Nugent Mangan, and Paul J. Smith.
Lenore Tawney, 1979, New Jersey State Museum, Trenton, text by Katharine Kuh and Leah P. Sloshberg.
Lenore Tawney: A Personal World, 1978, Brookfield Craft Center, Connecticut, preface and interview with Lenore Tawney by Jean d’Autilia.
Lenore Tawney, 1975, California State University, Fullerton, text by Dextra Frankel, Bernard Kester, and Katharine Kuh.
Lenore Tawney, 1961, Staten Island Museum, New York, text by James Coggin and Agnes Martin.
Influence and Evolution: Fiber Sculpture…then and now, 2015, browngrotta arts, Wilton, Connecticut, edited by Rhonda Brown, text by Ezra Shales.
Fiber: Sculpture 1960-Present, 2014, Institute of Contemporary Art/Boston and Prestel Verlag, Munich, London, New York, edited by Jenelle Porter, text by Glenn Adamson, Sarah Parrish, Jenelle Porter, and T’ai Smith.
Thread Lines, 2014, The Drawing Center, New York, New York, text by Joanna Kleinberg Romanow.
Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present, 2013, Kunstmuseum Wolfsurg, Hatje Cantz Verlag, Ostfildern and authors, edited by Markus Brüderlin.
Art=Text=Art: Works by Contemporary Artists, 2013 © Fifth Floor Foundation.
Retro/Prospective: 25+ Years of Art Textiles and Sculpture, 2012, browngrotta arts, Wilton, Connecticut, text by Lesley Millar, and Jo Ann C. Stabb.
Messages & Magic, 100 Years of Collage and Assemblage in American Art, 2008, John Michael Kohler Arts Center, Sheboygan, Wisconsin, text by Leslie Umberger.
Circa 1958: Breaking Ground in American Art, 2008, Ackland Art Museum, The University of North Carolina at Chapel Hill, foreword by Emily Kass, text by Roni Feinstein.
Generations/Transformations: American Fiber Art, 2003, American Textile History Museum, Lowell, Massachusetts.
Abstraction: The Amerindian Paradigm, 2001, Palais des Beaux-Arts, Brussels in association with IVAM (Institut Valencià d’Art Modern), Valencia, text by Mary Frame, Lucy Lippard, Cecilia de Torres, César Paternosto, and Ferdinán Valentín.
Revered Earth, 1990, Center for Contemporary Arts of Santa Fe, preface by Robert B. Gaylor, text by Diane Armitage, Suzi Gablik, Robert B. Gaylor, Dominique GW Mazeaud, and Melinda Wortz.
Fiber Concepts, 1989, Arizona State University Art Museum, Tempe, Arizona, text by Lucinda H. Gedeon.
The Eloquent Object, 1987, Philbrook Museum of Art, Tulsa, Oklahoma, edited by Marcia Manhart and Tom Manhart, text by George L. Aguirre, Jonathan L. Fairbanks, Penelope Hunter-Stiebel, Mary Jane Jacob, Horace Freeland Judson, Ronda Kasl, Lucy L. Lippard, Marcia Manhart and Tom Manhart, John Perreault, Rose Slivka, and Edwin L. Wade.
Fiber R/Evolution, 1986, Milwaukee Art Museum and University Art Museum, University of Wisconsin, Milwaukee, foreword by Jane Fassett Brite and Jean Stamsta, and John Perreault.
Craft Today: Poetry of the Physical, 1986, American Craft Council, New York, New York, text by Paul J. Smith and Edward Lucie-Smith.
Tracking the Marvelous, 1981, Grey Art Gallery and Study Center, New York University, text by John Bernard Myers.
Weich und Plastich: Soft-Art, 1979, Kunsthaus Zurich, Switzerland, foreword by Erika Billeter, text by Magdalena Abakanowicz, Erika Billeter, Mildred Constantine, Richard Paul Lohse, Willy Rotzler, and André Thomkins.
Fiberworks, 1977, Cleveland Museum of Art, foreword by Sherman E. Lee, preface by Edward B. Henning, text by Evelyn Svec Ward.
Nine Artists/Coenties Slip, 1974, Whitney Museum of American Art Downtown Branch, New York.
Wall Hangings, 1969, The Museum of Modern Art, New York, introduction by Mildred Constantine and Jack Lenor Larsen.
Woven Forms, 1963, Museum of Contemporary Crafts, New York, introduction by Paul J. Smith, text by Ann Wilson.