Hannah Wilke : With Sculptures in Snow, 1978. Archival photograph. Hannah Wilke Collection & Archive, Los Angeles. © Marsie, Emanuelle, Damon, and Andrew Scharlatt. Licensed by VAGA at Artist’s Rights Society (ARS), New York, DACs, London
| HANNAH WILKE | |
| Born 1940 in New York, New York, USA | |
| Died 1993 in Houston, Texas, USA | |
| EDUCATION | |
| 1962 | Bachelor of Fine Arts, BS Education, Stella Elkins Tyler School of Art, Temple University, Philadelphia, PA, USA |
| SOLO EXHIBITIONS | |
| 2021 | Hannah Wilke: Art for Life's Sake, Pulitzer Arts Foundation, St. Louis, Missouri, USA |
| Eva Hesse | Hannah Wilke: Erotic Abstraction, curated by Eleanor Nairne, Acquavella Galleries, New York, USA | |
| 2019 | Hannah Wilke: Force of Nature, Ronald Feldman Gallery, New York, USA |
| Hannah Wilke: Sculpture in the Landscape, Temple Contemporary, Tyler School of Art, Temple University, Philadelphia, USA | |
| 2018 | Hannah Wilke, Alison Jacques Gallery, London, UK |
| Drawing and Sculpture, Marc Selwyn Gallery, Beverly Hills, California, USA | |
| 2014 | Hannah Wilke: Sculpture 1960s - '80s, Alison Jacques Gallery, London, UK |
| Hannah Wilke: Selected Works 1963 - 1990, Tibor De Nagy, New York, USA | |
| 2012 | Gallery Paule Anglim, San Francisco, California, USA |
| 2011 | Permanent Collection Gallery, Museum of Modern Art, New York, USA |
| Hannah Wilke: Selected work from the '60s &' 70s, Alison Jacques Gallery, London, UK | |
| 2010 | Early Drawings, Ronald Feldman Fine Arts, New York, USA |
| Hannah Wilke: Elective Affinities, Alison Jacques Gallery, London, UK | |
| 2008 | Hannah Wilke: Gestures, Neuberger Museum of Art, Purchase, New York, USA |
| 2007 | Alison Jacques Gallery, London, UK |
| Intra-Venus Tapes 1990-1993, Ronald Feldman Fine Arts, New York, USA | |
| 2006 | Exchange Values, Atrium-Centro Museo Vasco de Arte Contemporaneo, Vitoria, Spain |
| Hannah Wilke: Advertisement for Living, SolwayJones, Los Angeles, California, USA | |
| 2005 | The Rhetoric of the Pose: Rethinking Hannah Wilke, Mary Porter Sesnon Art Gallery, Santa Cruz, California, USA |
| 2004 | Hannah Wilke, Selected Work 1960 - 1992, SolwayJones, Los Angeles, California, USA |
| 2000 | Interrupted Careers: Hannah Wilke 1940-1993, Neue Gesellschaft für bildende Kunst, Berlin, Germany |
| Wood Street Galleries, Pittsburgh, Pennsylvania, USA | |
| 1999 | Hannah Wilke: Sculpture & Other Work, Ronald Feldman Fine Arts, New York, USA |
| 1998 | Hannah Wilke - A Retrospective, Nikolaj Contemporary Art Center, Copenhagen, Denmark; travelled to BildMuseet, Umea, Sweden; Helsinki City Art Museum, Helsinki, Finland (catalogue) |
| 1997 | Hannah Wilke: Intra-Venus, Woodruff Art Gallery, Atlanta College of Art, Atlanta, Georgia, USA (catalogue) |
| 1996 | Hannah Wilke: Performalist Self-Portraits and Video/Film Performances 1976-85, Ronald Feldman Fine Arts, New York, USA |
| Hannah Wilke: Works from 1965-1992, Gallery 400, The University of Illinois at Chicago, Chicago, Illinois, USA | |
| Hannah Wilke: Intra-Venus, Weatherspoon Art Gallery, Greensboro, North Carolina, USA; travelled to Tokyo Metropolitan Museum of Photography, Tokyo, Japan (catalogue) | |
| 1995 | Hannah Wilke: Intra-Venus, Nikolaj Contemporary Art Center, Copenhagen, Denmarkl; travelled to Yerba Buena Center for the Arts, San Francisco, California, USA; Santa Monica Museum of Art, Santa Monica, California, USA (catalogue) |
| 1994 | Intra-Venus, Ronald Feldman Fine Arts, New York, USA |
| 1990 | Hannah Wilke, Past and Present, Genovese Graphics Gallery, Boston, Massachusetts, USA |
| 1989 | About Face, Ronald Feldman Fine Arts, New York, USA |
| Hannah Wilke: A Retrospective, curated by Thomas Kochheiser, Gallery 210, University of Missouri/St. Louis, Missouri, USA (catalogue) | |
| 1984 | Support Foundation Comfort, Ronald Feldman Fine Arts, New York, USA |
| Joseph Gross Gallery, curated by Joanne Frueh, University of Arizona at Tucson, Tucson, Arizona, USA | |
| 1979 | Performalist Self-Portraits, 1942-79, Washington Project for the Arts, Washington, D.C., USA |
| 1978 | Installation of So Help Me Hannah, P.S. 1 Institute for Art and Urban Resources, New York, USA |
| Through the Large Glass, Ronald Feldman Fine Arts, New York, USA | |
| 1977 | Sculpture & Drawings, Marianne Deson Gallery, Chicago, Illinois, USA |
| 1976 | Margo Leavin Gallery, Los Angeles, California, USA |
| Hannah Wilke, Starification Photographs and Videotapes, Fine Arts Gallery, University of California at Irvine, Irvine, California, USA | |
| 1975 | Ronald Feldman Fine Arts, New York, USA |
| Five American Women in Paris, Galerie Gerald Piltzer, Paris, France | |
| 1974 | Ronald Feldman Fine Arts, New York, USA |
| Drawings from the Flower Series, Margo Leavin Gallery, Los Angeles, California, USA | |
| 1972 | Margo Leavin Gallery, Los Angeles, California, USA |
| Ronald Feldman Fine Arts, New York, USA | |
| SELECTED GROUP EXHIBITIONS | |
| 2020 | She-Bam Pow POP Wizz! The Amazons of Pop (1961-1973), MAMAC, Nice, France |
| Monster/Beauty: An Exploration of the Female/Femme Gaze, Lychee One, London, UK | |
| On The Razor's Edge, Museo Jumex, Mexico City, Mexico | |
| Did I Ever Have a Chance?, Marc Selwyn Fine Art, Los Angeles, California, USA | |
| The Artist and the Self, James Fuentes, New York, USA (online) | |
| Feminist Avant-Garde of the 1970s, International Centre of Photography Museum, New York, USA | |
| Invisible City: Philadelphia and the Vernacular Avant-garde, University of the Arts, Philadelphia, USA | |
| 2019 | A Woman Looking at Men Looking at Women, Museum Susch, Switzerland |
| Ties, Tales, and Traces, KW Institute for Contemporary Art, Berlin, Germany | |
| The world exists to be put on a postcard. Artists' postcards from 1960 to now, The British Museum, London, UK | |
| Could Be (An Arrow), A reading of la Colección Jumex, Museo Jumex, Mexico City, Mexico | |
| FEMINISMS!, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain | |
| 2018 | Ecstasy, Kunstmuseum Stuttgart, Stuttgart, Germany |
| WHO WAS 1968?, Lentos Kunstmuseum Linz, Austria | |
| Infinate, Intimate: Image a Journey, Lévy Gorvy Gallery, New York, USA | |
| Scenes from the Collection, Jewish Museum, New York, USA | |
| Zéro de conduit, Serralves Museum of Contemporary Art, Porto, Portugal | |
| Virginia Woolf: an exhibition inspired by her writings, Tate St Ives, UK, travelling to Pallant House Gallery, Chichester, UK; The Fitzwilliam Museum, Cambridge, UK | |
| Feminist Avant-Garde of the 1970s, Stavanger Art Museum, Norway; The Brno House of Arts, Brno, Czech Republic | |
| Objects Like Us, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, USA | |
| 2017 | Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York, USA |
| Body Talk, Rose Art Museum, Waltham, Massachusetts, USA | |
| Feminist Avant-Garde of the 1970s, ZKM | Karlsruhe, Karlsruhe, Germany | |
| Woman: Feminist Avant-Garde of the 1970s from the Sammlung Verbund Collection, Museum moderner Kunst, Vienna, Austria | |
| Dreamers Awake, White Cube Bermondsey, London, UK | |
| Generation Loss: 10 Years of the Julia Stoschek Collection, Dusseldorf, Germany | |
| Impermanence, Cirrus Gallery, Los Angeles, California, USA | |
| I Remember Not Remembering, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, USA | |
| The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw, Warsaw, Poland | |
| 2016 | Feminist Avant-Garde of the 1970s, The Photographers Gallery, London, UK |
| Performing for the Camera, Tate Modern, London, UK | |
| Revolution in the Making: Abstract Sculpture by Women, 1947-2016, Hauser, Wirth & Schimmel, Los Angeles, California, USA | |
| Ceramix, La Maison Rouge, Paris, France | |
| Ceramix, Bonnefantenmuseum, Maastricht, The Netherlands | |
| Campaign for Art (museum opening), San Francisco Museum of Modern Art, San Francisco, California, USA | |
| 2015 | SELF: Portraits of Artists in Their Absence, National Academy, New York, USA |
| Viewer Discretion, 57 Stux + Haller Gallery, New York, USA | |
| Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, Texas, USA | |
| Ceramix, Cite de la Ceramique, Sevres, France | |
| The Great Mother, Fondazione Nicola Trussardi, Milan, Italy | |
| America is hard to see, Whitney Museum of American Art, New York, USA | |
| Organic Sculpture, Alison Jacques Gallery, London, UK | |
| In the Studio: Photography, Gagosian Gallery, New York, USA | |
| 2014 | Labor Intensive, Ronald Feldman Fine Arts, New York, USA |
| WOMAN. The Feminist Avant-Garde of 1970s, BOZAR Palais des Beaux-Arts, Brussels, Belgium; travelled to Mjellby Art Museum, Halmstad, Sweden; Hamburger Kunsthalle, Hamburg, Germany; Photographer's Gallery, London, UK; Museum of Modern Art, Vienna, Austria; Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany; The Brno House of Arts, Brno, Czech Republic; Stavanger Art Museum, Stavanger, Norway | |
| Dirge, Museum of Contemporary Art, Cleveland, Ohio, USA | |
| On Your Own, Galerie Hubert Winter, Vienna, Austria | |
| That Obscure Object of Desire, Luxembourg & Dayan, New York, USA | |
| American Art: 1950-1975, Williams College Museum of Art, Williamstown, Massachusetts, USA | |
| Looking Back: The 8th White Columns Annual, New York, USA | |
| Corpus, Zacheta National Gallery of Art, Warsaw, Poland | |
| Roll-Up. Roll-Up: The Dresden wax Cabinet Meets Art, Deutsches Hygiene Museum, Dresden, Germany | |
| Mitchell, Benglis, Wilke, Williams College Museum of Art, Williamstown, Massachusetts, USA | |
| 2013 | Americana: Formalizing Craft, Perez Art Museum Miami, Miami, Florida, USA |
| Nancy Graves Project, Ludwig Forum für Internationale Kunst, Aachen, Germany | |
| Jew York, Zach Feuer Gallery, New York, USA | |
| Faces and Facets, Princeton University Art Museum, Princeton, New Jersey, USA | |
| Body I Am, Alison Jacques Gallery, London, UK | |
| Them. Itself. Naked., Paula Modersohn-Becker Museum, Bremen, Germany | |
| Counter Forms: Tetsumi Kudo, Alina Szapocznikow, Paul Thek, Hannah Wilke, Andrea Rosen Gallery, New York, USA | |
| Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary, Nottingham, UK; travelled to Tate St. Ives, Cornwall, UK | |
| Skin: An Artistic Atlas, Irish Skin Foundation/Royal Hibernian Academy, Dublin, Ireland | |
| NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, USA | |
| Glam! The Performance of Style, Tate Liverpool, Liverpool, UK | |
| She. Herself. Naked, Paula Modersohn-Becker Museum, Bremen, Germany | |
| 2012 | Tracing the Century: Drawing as a Catalyst for Change, Tate Liverpool, Liverpool; travelled to to Schirn Kunsthalle, Frankfurt |
| Elles: Women Artists from the Centre Pompidou, Seattle Art Museum, Seattle, Washington, USA | |
| We the People, Robert Rauschenberg Foundation Project Space, New York, USA | |
| The Body as Protest, Albertina Museum, Vienna, Austria | |
| Ourselves, Australian Centre for Contemporary Art, Melbourne, Australia | |
| Thanks: 50th Anniversary Exhibition, Carl Solway Gallery, Cincinnati, Ohio, USA | |
| Sound & Vision: Crossroads, Plug In, Institute of Contemporary Art, Canada | |
| Everyday Abstract - Abstract Everyday, James Cohan Gallery, New York, USA | |
| Naked Before the Camera, Metropolitan Museum of Art, New York, USA | |
| Performing Identity, Georgia Museum of Art, Athens, Greece | |
| Group Show, Andrea Rosen Gallery, New York, USA | |
| Live in your Head: Action, Body Representation, Monash University Faculty Gallery, Caulfield, Australia | |
| Wish you were Here: the Buffalo Avant-garde in the 1970s, Albright-Knox Gallery, Buffalo, New York, USA | |
| Body Gesture: An Exhibition of Feminist Art, Elizabeth Leach Gallery, Portland, Oregon, USA | |
| 2011 | Paradigm Shift: Serralves Collection 60s - 70s, Museo de Arte Contemporáneo de Castilla y Léon, Léon, Spain |
| Night Scented Stock Date, Marianne Boesky Gallery, New York, USA | |
| The Personal is Political: Women Artists from the Collection, Museum of Contemporary Art, Los Angeles, California, USA | |
| Role Models - Role Playing, Museum der Moderne Monschsberg, Salburg, Austria | |
| Eve, Subliminal Projects, Los Angeles, California, USA | |
| Taking Shape, Ronald Feldman Fine Arts, New York, USA | |
| Objects of Devotion and Desire, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, USA | |
| Human Nature, LACMA, Los Angeles, California, USA | |
| Doin' It In Public: Feminism and Art at the Woman's Building, Otis College of Art and Design, Los Angeles, California, USA | |
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1972 - 1992, Neuberger Museum of Art, Purchase, New York, USA | |
| The Original Copy: Photography of Sculpture, 1839 to Today, Kunsthaus, Zürich, Switzerland | |
| 2010 | The Talent Show, MoMA PS1, New York, USA |
| Pivot Points Iv, Museum of Contemporary Art, North Miami, Miami, Florida, USA | |
| Shifting the Gaze: Painting and Feminism, The Jewish Museum, New York, USA | |
| Mine, Invisible Exports, New York, USA | |
| Ressurectine, Ronald Feldman Fine Arts, New York, USA | |
| The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York, USA | |
| Off the Wall: Thirty Performative Actions, The Whitney Museum of American Art, New York, USA | |
| The Language of Flowers, CRG Gallery, New York, USA | |
| Pictures by Women, A History of Modern Photography, Museum of Modern Art, New York, USA | |
| Contemporary Art from the Collection, MOMA, New York, USA | |
| Skin, Wellcome Collection, London, UK | |
| Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, California, USA | |
| Art and Feminism, 1969-2009, Museum voor Moderne Kunst Arnhem, Arnhem, The Netherlands | |
| I Want To See How You See: Works from the Julia Stoschek Collection, Grosse Deichtorhalle, Hamburg, Germany | |
| Donna: Feminist Avant-garde of the 1970s from Sammlung Verbund, Vienna, Galleria Nazionale d'Arte Moderna, Rome, Italy | |
| The Visible Vagina, David Nolan Gallery and Francis Naumann Fine Art, New York, USA | |
| 2009 | Black and White Works, Ronald Feldman Gallery, New York, USA |
| Marcel Duchamp: Etant donees, Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA | |
| Compass in Hand: Works from the Judith Stoschek Collection | |
| Collection: MOCA's first 30 years, LA MOCA, Los Angeles, California, USA | |
| Art and Feminism 1969 - 2009, Museum voor Moderne Kunst Arnhem, Arnhem, The Netherlands | |
| Le Silo Symposium, National Institute for The History of Art, Paris, France | |
| Elles@CentrePompidou, Centre Pompidou, Paris, France (catalogue) | |
| 2008 | Hands, SolwayJones Gallery, Los Angeles, California, USA |
| Drawing review: 37 Years of works on paper, Ronald Feldman Fine Arts, New York, USA | |
| Darkside - Part 1: Photographic Desire and Sexuality Photographed, Fotomuseum Winterthur, Winterthur, Switzerland | |
| Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, LACMA, Los Angeles, California, USA | |
| 2000 Years of Sculpture, Fleisher/Ollman Gallery, Philadelphia, Pennsylvania, USA | |
| Photo Conversation No.6: Identity, LACMA, Los Angeles, California, USA | |
| 2007 | eFemera, Binghamton University Art Museum, Binghamton, New York, USA |
| A Batella Dos Xeneros, Centro Galego de Arte Contemporanea, Santiagode Compostela, Spain | |
| A New Reality: Black and White Photography in Contemporary Art, The Zimmerli Art Museum, Rutgers University, New Jersey, USA | |
| New York, New York: 50 Years of Art, Architecture, Photography, Film and Video, Grimaldi Forum Monaco, Monaco | |
| Kiss Kiss Bang Bang: 45 Years of Art and Feminism, Bilboko Arte Eder Museoa, Bilbao, Spain | |
| Live/Work, Performance into Drawing, Museum of Modern Art, New York, USA | |
| Number 2: Fragile, Julia Stoschek Collection, Düsseldorf, Germany | |
| Finding Form, Atlanta Contemporary Art Center, Atlanta, Georgia, USA | |
| WACK! Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles, California, USA; travelled to The National Museum of Women in the Arts, Washington, D.C., USA; MoMA P.S.1, New York, USA | |
| Above Average Looking/Accessible Lives (SOMATOPOWER), Lothringer 13, Munich, Germany | |
| The Naked Portrait, Scottish National Portrait Gallery, Edinburgh, Scotland and traveled to Compton Verney, Warwickshire, UK | |
| Panic Attack, The Barbican, London, UK (catalogue) | |
| Held Together With Water, Art from the Verbund Collection, MAK, Vienna, Austria (catalogue) | |
| Women's Work: Homage to Feminist Art, Tabla Rasa Gallery, Brooklyn, New York, USA | |
| Role Play: Feminist Art Revisited 1960-1980, Galerie Lelong, New York, USA | |
| 2006 | Primera generacion: arte e imagen en movimiento (1963-1986), Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
| SAFE, Kathleen Cullen Fine Arts, New York, USA | |
| Into Me/Out of Me, P. S. 1 Contemporary Art Center, Long Island City, New York, USA; travelled to Kunst-Werke Berlin e.V., Institute for Contemporary Art, Berlin, Germany | |
| Masquerade: Representation and the Self in Contemporary Art, Museum of Contemporary Art, Sydney, Australia | |
| Photography and the Self: The Legacy of F. Holland Day, Whitney Museum of American Art, New York, USA | |
| Recent Acquisitions, Museum of Contemporary Art, Los Angeles, California, USA | |
| The Downtown Show: The New York Art Scene, 1974-1984, Grey Art Gallery, New York, USA; travelled to Andy Warhol Museum, Pittsburgh, Pennsylvania, USA; Austin Museum of Art, Austin, Texas, USA | |
| 2005 | Inside Out Loud: Visualizing Women's Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington University in St. Louis, St. Louis, Missouri, USA (catalogue) |
| Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art, Mizel Center for Arts and Culture, Denver, Colorado, USA (catalogue) | |
| 2004 | Love Your Tree Exhibit/ V-Day, ABC Carpet and Home, New York, USA |
| Life As Art, Vlepo Gallery, Staten Island, New York, USA | |
| Sexy Beasts: 1963 - 2004, Ethan Cohen Fine Arts, New York, USA | |
| 2003 | The Last Picture Show: Artists Using Photography, 1960 - 1982, Walker Art Center, Minneapolis, Minnesota, USA travelling to UCLA Hammer Museum, Los Angeles, California, Museo de Arte Contempoaranea de Vigo, Spain, Fotomuseum Winterthur, Switzerland, Art Central, Miami, Florida, USA (catalogue) |
| And the One Doesn't Stir Without the Other, Ormeau Baths Gallery, Belfast, N. Ireland (catalogue) | |
| Micropoliticas III: Art & Everyday Life, ESPAI d'Art Contemporani de Castello, Castello, Spain | |
| Lost Worlds: Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, USA | |
| Interior Secrets of the Body, Ludwig Museum Budapest, Budapest, Hungary (catalogue) | |
| Pulse: Art, Healing and Transformation, The Institute of Contemporary Art, Boston, Massachusetts, USA (catalogue) | |
| Ameri©an Dre@m, Ronald Feldman Fine Arts, New York, USA (catalogue) | |
| Body Politics, Elga Wimmer PCC, New York, USA | |
| Witness: Theories of Seduction, Dorsky Gallery, Long Island City, New York, USA | |
| Merce Cunningham, Robert Smithson, Hannah Wilke: Drawings and Collages, SolwayJones, Los Angeles, California, USA | |
| 2002 | Extra Art: A Survey of Artists' Ephemera, 1960-1999, ICA, Institute of Contemporary Art, London, UK |
| GLORIA: Another Look at Feminist Art in the 1970's, White Columns, New York, USA travelling to Moore College of Art & Design, Philadelphia, PA, USA and Museum of Art, R.I.S.D., Providence, Rhode Island, USA (catalogue) | |
| Personal and Political: The Women's Art Movement, 1969-1975, Guild Hall of East Hampton, East Hampton, New York, USA | |
| Another World- 12 Bedroom Stories, New Museum of Art Lucerne, Lucerne, Switzerland (catalogue) | |
| Goddess, Galerie Lelong, New York, USA | |
| Tableaux Vivants - The Art of 'LivingPictures' in Photography, Film, and Video, Kunsthalle Wein, Museumsplatz Vienna, Austria (catalogue) | |
| Enough About Me, Momenta Art, Brooklyn, New York, USA | |
| Women Artists: Their Work and Influence, 1950s- 1970s, Paule Anglim Gallery, San Francisco, California, USA | |
| 2001 | Let's Talk About Sex: Sexuality and the Body in Contemporary Art, Kunst Haus Dresden, Dresden, Germany (catalogue) |
| Extra Art: A Survey of Artists'Ephemera, 1960-1999, California College of Arts and Crafts, San Francisco, California, USA (catalogue) | |
| Strike! Printmakers as Social Critics, Gallery of Contemporary Art, Lewis and Clark College, Portland, Oregon, USA | |
| New York c. 1975, David Zwirner Gallery, New York, USA | |
| SMIRK: women, art, and humor, Firehouse Art Gallery, Nassau Community College, Garden City, New York, USA | |
| Century City: Art and Culture in Modern Metropolis, Tate Modern, London, UK | |
| See Through, Palm Beach Institute of Contemporary Art, Lake Worth, Florida, USA Uncomfortable Beauty, Jack Tilton Gallery, New York, USA | |
| Body & Existence / Krop & Eksistens, Arken Museum for Moderne Kunst, Ishøj, Denmark | |
| The Wounded Diva, Hysteria, Body, Technology in 20th Century Art, Kunstverein Munchen, Munich, Germany | |
| Global Art Rheinland 2000: The Self is Something Else: Art at the End of the 20th Century, Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany | |
| 1999 | Mug Shots: Performing Persona, Center for Visual Arts and Culture, The University of Connecticut, Storrs, Connecticut, USA |
| The American Century: Art and Culture, 1900-2000, Whitney Museum of American Art, New York, USA | |
| Contemporary Classicism, Neuberger Museum, Purchase, New York, USA; travelled to Tampa Museum of Art, Tampa, Florida, USA (catalogue) | |
| Salome: Images of Women in Contemporary Art, Castle Gallery, The College of New Rochelle, New Rochelle, New York, USA (catalogue) | |
| 1998 | Tribute, Joseph Gross Gallery, University of Arizona, Tucson, Arizona, (catalogue) |
| Figure, Sculpture, Female-Forms of Representation of the Female Body, Landes Galerie, Landesmuseum, Linz, Austria (catalogue) | |
| Desde el Cuerpo: Alegorias de la Feminino, Fundacion Museo de Bellas Artes, Caracas, Venezula | |
| Not For Sale: Feminism in the USA during the 1970's, Apex Art C.P., New York, USA | |
| Out of Actions: Between Performance and the Object, Museum of Contemporary Art, Los Angeles, California, USA; travelled to Osterreisches Museum fur angewandte Kunst, Vienna, Austria; Museu d'Art Contemporani de Barcelona, Barcelona, Spain; Museum of Contemporary Art, Tokyo, Japan | |
| 1996 | Signs of Age: Representing the Older Body, Santa Barbara Contemporary Arts Forum, Santa Barbara, California, USA |
| Figure, Betty Rymar Gallery, The School of the Art Institute, Chicago, Illinois, USA | |
| Defining Eye: Women Photographers of the Twentieth Century from the Collection of Helen Kornblum, The Saint Louis Art Museum, Saint Louis, Missouri, USA | |
| Identity Crisis: Self-Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, Wisconsin, USA; travelled to Aspen Art Museum, Aspen, Colorado, USA | |
| Shopping, Deitch Projects, New York, USA | |
| At the Threshold of the Visible: Miniscule and Small Scale Art, 1964-1996, organised by Independent, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA | |
| Curators Incorporated, New York, USA; travelled to Meyerhoff Galleries, Maryland Institute of Art, Baltimore, Maryland, USA; Art Gallery of Ontario, Toronto, Canada; Art Gallery of Windsor, Windsor, Canada; Contemporary Arts Center of Virginia, Virginia Beach, Virginia, USA; Santa Monica Museum of Art, Santa Monica, California, USA; Edmonton Art Gallery, curated by Ralph Rugoff, Edmonton, Canada | |
| Too Jewish? Challenging Traditional Identities, The National Museum of American Jewish History, Philadelphia, USA; travelled to Hammer Museum, Los Angeles, California, USA | |
| Bridge, Satellite, Long Island City, New York, USA | |
| Laying Low: Postminimalism/Scatter Art, Visual Arts Gallery, School of Visual Arts, New York, USA | |
| Kunstnernes Hus, Oslo, Norway (catalogue) | |
| Vraiment Feminisme et art, curated by Laura Cottingham, Centre National d'Art Contemporain de Grenoble, France | |
| Video (desnudo), Art & Idea, Cuauhtemoc, Mexico | |
| Real(ist) Women, Selby Gallery, Ringling School of Art and Design, Sarasota, Florida, USA | |
| 1996 | (nude) a comparison of the body of the artist in video from the 1970s and 1990s, Trans Hudson Gallery, Jersey City, New Jersey, USA; travelled to Catherine Clark Gallery, San Francisco, California, USA |
| Gender Beyond Memory: The Works of Contemporary Women Artists, Tokyo Metropolitan Museum of Photography, Tokyo, Japan (catalogue) | |
| Love Gasoline, Mercer Union Gallery, Toronto, Ontario, Canada | |
| Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History, Armand Hammer Museum of Art and Cultural Center, Los Angeles, California, USA | |
| More Than Minimal: Feminism and Abstraction in the '70s, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| Too Jewish, The Jewish Museum, New York, USA (catalogue) | |
| Reel Work: Artists' Films and Videos from the 1960's & 1970's, Museum of Contemporary Art, Miami, Florida, USA | |
| She Said, Genovese Gallery, Boston, Massachusetts, USA | |
| Blast Art Benefit, The X-Art Foundation, New York, USA | |
| Frankenstein (In Normal), University Galleries, Illinois State University, Normal, Illinois, USA | |
| Withdrawing, Ronald Feldman Fine Arts, New York, USA | |
| Body As Membrane, Kunsthallen Brandts Klaedefabrik, Odense, Denmark | |
| 1995 | Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina, USA |
| Feminin-Masculine: The Sex of Art, Musee National d'Art, Centre Georges Pompidou, Paris, France | |
| Causes and Cures, Leedy-Voulkos Art Center Gallery, Kansas City, Missouri, USA | |
| Inside/Outside From Sculpture to Photography, Laurence Miller Gallery, New York, USA | |
| Tattoo Your Dog, Greenville County Museum of Art, Greenville, South Carolina, USA | |
| Action/Performance and the Photograph, Allen Memorial Art Museum at Oberlin College, Oberlin, Ohio, USA; travelled to Hatton Gallery, Colorado State University, Fort Collins, Colorado, USA; Presentation House, Vancouver, BC, Canada; Mount St. Vincent University and St. Mary's University, Halifax, NS, Canada; Reese Bullen Gallery, Humbolt State University, Arcata, California, USA; Forum for Contemporary Art, St. Louis, Missouri, USA; Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas, USA | |
| Borealis 7- Desire, The Helsinki City Art Museum & The Nordic Arts Centre, Helsinki, Finland; travelled to Louisiana Art Museum, Humlebaek, Denmark | |
| Face Value: American Portraits, The Parrish Art Museum, Southampton, New York, USA; travelled to Wexner Center for the Arts, Columbus, Ohio, USA; Tampa Museum of Art, Tampa, Florida, USA | |
| Human/Nature, The New Museum of Contemporary Art, New York, USA | |
| Chocolate!, The Swiss Institute, New York, USA | |
| Pixel Putty, School of Visual Arts, New York, USA | |
| Me, Dru Arstock Gallery, New York, USA | |
| Endurance, Exit Art/The First World, New York, USA | |
| Looking at Ourselves: The American Portrait, The Hudson River Museum, Yonkers, New York, USA | |
| Revealing Desire, Christinerose Gallery, New York, USA | |
| Nathalie Karg, Ltd., New York, USA | |
| 1994 | More Than Real, Gallery 400, School of Art and Design, The University of Illinois at Chicago, Chicago, Illinois, USA |
| Wounded in America, The Shirley Fitterman Gallery, The City University of New York, New York, USA | |
| Riddle of the Sphinx: The Ages of Man, Islip Art Museum, East Islip, New York, USA | |
| Face Off: The Portrait in Recent Art, The Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, USA | |
| Art's Lament: Creativity in the Face of Death, Isabella Stewart Gardner Museum, Boston, Massachusetts, USA | |
| Gift, The Interart Center, New York, USA | |
| Wall Paper, Peculiar Works Project, New York, USA | |
| SOHO at Duke University, Duke University Museum of Art, Durham, North Carolina, USA | |
| Power Pleasure Pain, Fogg Art Museum, Harvard University Art Museum, Boston, Massachusetts, USA (catalogue) | |
| Diagnosis: Breast Cancer, Women's Caucus for Art, Denise Bibro Gallery, New York, USA | |
| Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art, Cleveland, Ohio, USA | |
| 1993 | Robert Farber & Hannah Wilke: After Death, Center Galleries, Center for Creative Studies, Detroit, Michigan, USA |
| Action, Performance and the Photograph, Turner/Kroll Galleries, Los Angeles, California, USA; travelled to Allen Memorial Art Museum at Oberlin College, Oberlin, Ohio, USA (catalogue) | |
| Abject Art: Repulsion and Desire in American Art, Whitney Museum of American Art, New York, USA (catalogue) | |
| Summer '93, Ronald Feldman Fine Arts, New York, USA | |
| Collecting for the 21st Century: Recent Acquistions & Promised Gifts, The Jewish Museum, New York, USA | |
| Body Parts, Haines Gallery, San Francisco, California, USA | |
| Coming to Power, David Zwirner, New York, USA | |
| M'Aidez/Mayday, Phyllis Kind Gallery, New York, USA | |
| Fictions of the Self: The Portrait in Contemporary Photography, Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, North Carolina, USA and the Herter Art Gallery, University of Massachusetts at Amherst, Amherst, Massachusetts, USA (catalogue) | |
| Here's Looking at Me, Art Contemporain Lyon, France | |
| 1992 | Not For Sale, Tel Aviv Museum of Art, Tel Aviv, Israel |
| Of Modest Means, Sean Elwood Fine Arts, Seattle, Washington, USA | |
| Rubber Soul, Ledis Flam, New York, USA | |
| Erotiques, A.B. Galeries et Associes S.A., Paris, France | |
| Seeing Red, White or Blue: Censored in the U.S.A., Visual Arts Center of Alaska, Anchorage, Alaska, USA | |
| Blast Art Benefit, The X-Art Foundation and Blast, New York, USA | |
| Body and Soul, Philippe Staib Gallery, New York, USA | |
| Realities: Body and Mind, West Gallery, California State University, Fullerton, California, USA | |
| Love and Death: Growing Old in America (Is a Sin), Ghia Gallery, San Francisco, California, USA | |
| Taboo: Bodies Talk, 494 Gallery, New York, USA | |
| 1991 | Artists of Conscience, Alternative Museum, New York, USA |
| Body Body, Renee Fotouhi Fine Art, East Hampton, USA | |
| Eighteen from New York, Galerie Loehrl, Moenchengladbach, Germany | |
| Birds in Science and Art, Bergen Museum of Art and Science, Paramus, New Jersey, USA | |
| AIDS: It Could Be You, Triplex Gallery, The City University of New York, New York, USA | |
| Lists, Cage Gallery, Cincinnati, Ohio, USA | |
| Parents, Wright State University, Dayton, Ohio, USA | |
| Practicing Beauty, Art Gallery of Hamilton, Hamilton, Canada (catalogue) | |
| Original Sin, Hillwood Art Museum, C.W. Post Campus, Long Island University, | |
| Long Island, New York (catalogue) Imaging Illness, Boston Public Library, Boston, Massachusetts, USA; travelled to Everson Museum of Art, Syracuse, New York, USA | |
| 1990 | The Technological Muse, Katonah Museum of Art, Katonah, New York, USA (catalogue) |
| Aging: The Process, The Perception, curated by Dan Talley, The Forum Gallery, Jamestown Community College, Jamestown, New York, USA; travelled to Art Gallery, Towson State University, Towson, Maryland, USA; The Continental Art Gallery, Continental Insurance Co., New York, USA; Tyler Art Gallery, SUNY Oswego, Oswego, New York, USA (catalogue) | |
| Serial Drawing, Genovese Gallery, Boston, Massachusetts, USA | |
| The Kitchen Art Sale, Curt Marcus Gallery, New York, USA | |
| 1989 | Pharmacy, curated by Cliff Benjamin, Jan Kesner Gallery, Los Angeles, California, USA |
| Image World: Art and Media Culture, curated by Lisa Phillips and Marvin Heiferman, Whitney Museum of American Art, New York, USA | |
| In Her Image, Fuller Elwood Gallery, Seattle, Washington, USA | |
| Making Their Mark, curated by Randy Rosen and Catherine C. Brower, Cincinnati Art Museum, Cincinatti, Ohio, USA; travelled to New Orleans Museum of Art, New Orleans, California, USA; Denver Art Museum, Denver, Colorado, USA; Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, USA (catalogue) | |
| Microsculpture, curated by Willoughby Sharp, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, USA | |
| New York Women's Foundation Auction, Sotheby's, New York, USA | |
| 1988 | Marcel Duchamp and the Avantgarde since 1950, Museum Ludwig, Cologne, West Germany (catalogue) |
| The All-Male Feminist Show, The New Waterfront Museum, Brooklyn, New York, USA | |
| Modes of Address: Language in Art Since 1960, The Whitney Museum of American Art, Downtown, New York, USA (catalogue) | |
| The Artist's Mother: Portraits and Hommage, National Portrait Gallery, Washington, D.C., USA | |
| Work of the Spirit, Ceres Gallery, New York Feminist Art Institute, New York, USA | |
| American Herstory: Women and the U.S. Constitution, The Atlanta College of Art Gallery, Atlanta, Georgia, USA | |
| Hollywood, Portraits of the Stars, Otis Art Institute of Parsons School of Design, Los Angeles, California, USA | |
| Blue Angel, The Decline of Sexual Stereotypes in Post-Feminist Sculpture, Space One Eleven, Birmingham, AL, A.I.R. Gallery, New York, USA | |
| Heresies: Issues that Won't Go Away, Benefit Exhibition, PPOW, New York, USA | |
| The Artist's Mother: Portraits and Hommage, Heckscher Museum, Huntington, New York, USA | |
| Appearances: 10th Anniversary and Benefit Show Sorkin Gallery, New York, USA | |
| Alternative Supports: Contemporary Sculpture on the Wall, curated by Judith E. Tolnick, David Winton Bell Gallery, Brown University, Providence, Rhode Island, USA (catalogue) | |
| Unmuzzled Ox at Attitude Art, Attitude Art, New York, USA | |
| Family Portraits, curated by Barry A. Rosenberg and Kathleen Peoples, Wright State University Art Galleries, Dayton, Ohio, USA (catalogue) | |
| Self-Portraits: The Message, the Material, Schick Art Gallery, Skidmore College, Saratoga Springs, New York, USA; travelled to Hofstra Museum, Emily Lowe Gallery, Hempstead, New York, USA | |
| The Political is Personal, Ceres Gallery, New York Feminist Art Institute, New York, USA | |
| Spring Film, White Columns, New York, USA | |
| The Blue Angel: The Decline of Sexual Stereotypes in Post-Feminist Sculpture, curated by Juli Carson and Howard McCalebb, Longwood Arts Gallery, Bronx, New York, USA and Space 111, Birmingham, Alabama, USA (catalogue) | |
| 1986 | Out of Sight - Out of Mind, curated by PPOW, Real Art Ways, Hartford, Connecticut, USA |
| A Garden of Knowledge, by Bonnie Sherk, Central Hall Gallery, New York, USA | |
| Vessels of Meaning, curated by Suzanne Anker,Schoharie County Arts Council Gallery, Cobleskill, New York, USA | |
| Let's Play House, curated by Miriam Schapiro, Bernice Steinbaum Gallery, New York, USA | |
| New Liberty Monuments, curated by John Perreault, Snug Harbor Cultural Center, S.I. Newhouse Gallery, Staten Island, New York, USA | |
| Liberty and Justice, curated by Geno Rodriguez, Alternative Museum, New York, USA (catalogue) | |
| Letters, The Clocktower, Institute for Art and Urban Resources, New York, USA | |
| Women's Caucus for Art 1986 National Conference, curated by Judy Collischan van Wagner and Carol Becker Davis | |
| The Heroic Female: Images of Power, Ceres Gallery, New York Feminist Art Institute, New York, USA | |
| Benefit for the Poetry Project, St. Marks Church, New York, USA | |
| The Male Nude: Women Regard Men, curated by Elisa Decker, Hudson Center Galleries, New York, USA(catalogue) | |
| Indoor/Outdoor Sculpture Exhibition, curated by David Hacker, El Bohio, New York, USA (catalogue) | |
| Artists for Artists: An Auction to Benefit New York Artists Housing, Charles Cowles Annex Gallery, New York, USA (catalogue) | |
| Very Special Arts Benefit Art Auction Sotheby's, New York, USA | |
| 1985 | Drawings, Knight Gallery, Charlotte, North Carolina, USA |
| American Art: American Women, Stamford Museum and Nature Center, Stamford, Connecticut, USA (catalogue) | |
| The Doll Show: Artists' Dolls and Figurines, curated by Judy Collischan van Wagner and Carol Becker Davis, Hillwood Art Gallery, C.W. Post, Long Island University, Greenvale, New York, USA (catalogue) | |
| Independent Curators, Inc. Benefit Auction, Puck Building, New York, USA | |
| Too Hot for Summer, curated by Robert Costa, Kamikaze, New York, USA | |
| After 'Tilted Arc', curated by Tom Finkelpearl, Glenn Weiss and Kyong Park, Storefront for Art and Architecture, New York, USA | |
| Benefit Exhibition Sale for Fashion Moda, Ronald Feldman Fine Arts, New York, USA | |
| Das Akfoto, Munchner Stadtmuseum, Munich, Germany; travelled to Museum Des 20. Jahrhunderts, Vienna, Austria; Museum fur Kunst und Kulturgeschichtes, Dortmund, Germany (catalogue) | |
| Stigmata, curated by Steven Kaplan, Bond Gallery, New York, USA | |
| The 5 and Dime Goes to the Beach, The 5 and Dime, New York, USA | |
| 20 Women, curated by Eve Zimmerman, Phoenix City Art Gallery, New York, USA | |
| Feminists and Misogynists Together at Last, curated by Robert Costa, Avenue B Gallery, New York, USA and C.O.C.A. Center on Contemporary Art, Seattle, Washington, USA | |
| Not Just Black and White, curated by Gigi Franklin and Paul Franklin, City Gallery, Department of Cultural Affairs, New York, USA | |
| Reflections: Women in Their Own Image, Ceres Gallery, New York, USA | |
| Women Artists at the Palladium, curated by the Guerilla Girls, The Palladium, New York, USA | |
| Golden Years: Tyler's 50th Anniversary, Tyler School of Art, Temple University, Philadelphia, Pennsylvania, USA (catalogue) | |
| 1984 | Artists' Weapons, curated by Donald Kuspit and Ted Greenwald, Ted Greenwald Gallery, New York, USA |
| Artist's Call, ABC No Rio, New York, USA | |
| American Women Artists Sidney Janis Gallery, New York, USA (catalogue) | |
| Artist's Call, curated by Lucy R. Lippard, Franklin Furnace, New York, USA | |
| Sound/Art, curated by William Hellerman, The Sculpture Center and BACA, New York, USA (catalogue) | |
| Inaugural Show Night Gallery, New York, USA | |
| Women's Portraits, curated by Ruth Bass, The Women's Bank, New York, USA | |
| And the Living is Easy, Visual Arts Museum, curated by Lowery Sims | |
| American Women Artists, World's Fair - Women's Pavillion, New Orleans, California, USA | |
| Soul Catchers Stellweg-Seguy Gallery, New York, USA | |
| American Sculpture, Margo Leavin Gallery, Los Angeles, California, USA | |
| The Five and Dime Presents an Evening Art Sale, curated by Holly O'Grady, Sue Morgan, Carita Crawford, John Hoge and Marilu Knode, 238 Mott Street, New York, USA | |
| Armed, curated by Maureen Paley and Robin Harris, Interim Art, London, UK | |
| The Destroyed Print, Eve Drewelove Gallery, University of Colorado, Boulder, Colorado, USA | |
| Art and Ideology, curated by Lowery Sims, The New Museum, New York, USA (catalogue) | |
| Self Portraits, Linda Farris Gallery, Seattle, WA, USA and Los Angeles Municipal Art Gallery, Los Angeles, California, USA (catalogue) | |
| Running '83, New York Road Runners Club, New York, USA | |
| 1983 | Revolutions Per Minute - The Art Record, The Berkshire Museum, Pittsfield, Massachusetts, USA |
| Exceptions, Pratt Institute Gallery, curated by Ellen Schwartz, New York, USA | |
| Protective Devices, Windows on White, New York, USA | |
| Whitney Counterweight 4, New York, USA | |
| 1982 | American Flower Painting from the Early 20th Century to Contemporary Art, Dubois Gallery, Houston, Texas, USA |
| Animal Life, Ericson Gallery, curated by Michael Florescu, New York, USA | |
| Feminist Art Institute Benefit, Greene Street Gallery, New York, USA | |
| The Destroyed Print, Pratt Institute Gallery, New York, USA | |
| Androgyny and Art, curated by Gail Gelburd, Emily Lowe Gallery, Hofstra University, Hempstead, New York,USA | |
| The Erotic Impulse, Roger Litz Gallery, New York, USA | |
| The Atomic Salon, curated by Carrie Rickey, Ronald Feldman Fine Arts, New York, NY, USA | |
| Heresies Benefit, Frank Marino Gallery, New York, USA | |
| Revolutions Per Minute - The Art Record, Ronald Feldman Fine Arts in cooperation with The Village Voice, New York, NY, USA | |
| Sound Corridor, curated by William Hellerman, P.S. 1, Institute for Art and Urban Resources, New York, NY, USA | |
| Sexuality in Art: Two Decades from a Feminist Perspective, curated by Eunice Golden, Women's Caucus for the Arts, Westbeth Gallery, New York, NY, USA | |
| Women's Art: Miles Apart, curated by June Blum, Aaron Berman Gallery, New York, USA and Valencia Community College, Orlando, Florida, USA | |
| Feast Your Eyes, Pratt Institute Gallery, New York, USA | |
| 1981 | Heresies Benefit, Grey Art Gallery, New York University, New York, USA |
| Schemes, curated by Elise Meyer and Shelley Rice, Elise Meyer, Inc., New York, USA and Emily Lowe Gallery, Hofstra University, Hempstead, New York, USA | |
| Soundworks, curated by Peter Frank, Franklin Furnace, New York, USA | |
| Pictures and Promises, curated by Barbara Kruger, The Kitchen, New York, USA | |
| CAPS at FIT, Fashion Institute of Technology, New York, USA | |
| Transformations, Women in Art -- 70's-80's New York Feminist Art Institute, The Coliseum, New York, USA | |
| Caps at the State Museum, New York State Museum Cultural Education Center, Albany, New York, USA | |
| The Page as Alternative Space, curated by Ingrid Sischy, Franklin Furnace, New York, USA | |
| Figuratively Sculpting, curated by Richard Flood, P.S. 1, Institute for Art and Urban Resources, New York, USA | |
| Androgyny in Art, Emily Lowe Gallery, Hofstra University, Hempstead, New York, USA | |
| Window Room Furniture, curated by Ricardo Scofido and Tod Williams, The Cooper Union Art Gallery, New York, USA | |
| Portraits, Hokin Gallery, Bay Harbor Islands, Florida, USA | |
| 1980 | Drawings, Leo Castelli Gallery, New York, USA; Benefit for the Foundation for Contemporary Performance Art, New York, USA |
| A Drawing Show from the Margo Leavin Gallery, Cal State, Bakersfield, California, USA | |
| The Sense of the Self, Tangeman Fine Arts Gallery, University of Cincinnati, Cincinnati, Ohio, USA | |
| First Person Singular, curated by Ellen Schwartz, Pratt Institute Gallery, New York, USA | |
| Other Media, curated by Jim Couper, Florida International University, Miami, Florida, USA | |
| Androgyny, curated by Rosa Lindenburg, Studio Amazone, Amsterdam, The Netherlands | |
| One Grand Leap Year Art Sale, Franklin Furnace, New York, USA | |
| Heresies Benefit, Frank Marino Gallery, New York, USA | |
| A Decade of Women's Performance, College Art Association, New Orleans, Louisiana, USA | |
| American Women Artists 1980, Museu de Arte Contemporanea, São Paolo, Brazil | |
| 1979 | Contemporary Women in the Visual Arts, curated by Debbie Goldstein and Donald Keyes, Smith College Museum of Art, Northampton, Massachusetts, USA |
| Artists' Boxes, Sunne Savage Gallery, Winchester, Massachusetts, USA | |
| Images of the Self, curated by Sally Yard, Hampshire College Art Gallery, Amherst, Massachusetts, USA | |
| Photographie als Kunst 1879-1979; Kunst als Photographie 1949-79, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria; travelled to Neue Galerie am Wolfgang Gurlitt Museum, Linz, Austria; Neue Galerie am Landesmuseum Joanneum, Graz, Austria; Museum des XX Jahrhunderts, Vienna, Austria | |
| 1978 | 19 Galleries, The High Museum of Art, Atlanta, Georgia, USA |
| Art as Furniture, Furniture as Art, Ingber Gallery, New York, USA | |
| Women Artists '78, P.S. 1, Institute for Art and Urban Resources, New York, USA travelling toGraduate Center, City University of New York, USA sponsored by the Women's Caucus for the Arts | |
| Objects, curated by Nicolas Calas, Marian Goodman Gallery, New York, USA | |
| Post Card Show, P.S. 1, Institute for Art and Urban Resources, New York, USA | |
| Thirteen Galleries, curated by Scott Belleville, High Museum of Art, Atlanta, Georgia, USA | |
| Feministische Kunst International, De Appel, Amsterdam, The Netherlands | |
| Thirteen Galleries: So Help Me Hannah - Snatch Shots with Ray Guns, P.S. 1, Institute for Art and Urban Resources, New York, USA | |
| The Sense of Self: From Self-Portrait to Autobiography, curated by Nina Sundell, Neuberger Museum of Art, State University of New York, Purchase, New York, USA a traveling exhibition organised by Independent Curators Incorporated, USA (catalogue) | |
| Personal Visions, Bronx Museum of the Arts, New York, USA | |
| Three Generations: Structures in Collage, Margo Leavin Gallery, Los Angeles, California, USA | |
| 1977 | Miniature, curated by Sandy Ballatore, Fine Arts Gallery, California State University, Los Angeles, California, USA |
| Contemporary Women: Consciousness and Content, The Brooklyn Museum Art School, Brooklyn, New York, USA | |
| Six Women Artists, Rutgers University Art Gallery, Camden, New Jersey, USA | |
| The City Project 1977: Outdoor Environmental Art, The New Gallery, Cleveland, Ohio, USA | |
| Contemporary Issues - Works by Women on Paper, Women's Building, Los Angeles, California, USA sponsored by the Womens's Caucus for the Arts | |
| Nothing but Nudes, Whitney Museum of American Art, Downtown, New York, USA | |
| Contact: Women and Nature, curated by Lucy R. Lippard, Greenwich Library, Greenwich, Connecticut, USA | |
| 1976 | Six Artists, Ben Shahn Gallery, William Paterson College, Wayne, New Jersey, USA |
| Painting & Sculpture Today 1976, The Indianapolis Museum of Art, Indianapolis, Indiana, USA | |
| Style and Process, curated by Marina Urbach, Fine Arts Building, New York, USA | |
| Art in Landscape, Fine Arts Gallery, University of California, Irvine, California, USA | |
| Soho - Downtown Manhattan, 26th Berlin Festival, Berlin, Germany | |
| Soho - Downtown Manhattan, Louisiana Museum, Denmark | |
| 1975 | Lives, curated by Jeffrey Deitch Fine Arts Building, New York, USA |
| Photography Not Photography, curated by Edit deAk, Fine Arts Building, New York, USA | |
| Recent Acquisitions, Albright-Knox Art Gallery, Buffalo, New York, USA | |
| Small Scale in Sculpture, Art Institute of Chicago, Chicago, Illinois, USA | |
| The Year of the Woman, Bronx Museum of Arts, New York, USA | |
| Drawings and Works on Paper, Dootson-Calderhead Gallery, Seattle, Washington, USA | |
| Drawings, Margo Leavin Gallery, Los Angeles, California, USA | |
| 5 americaines a Paris, Galerie Gerald Piltzer, Paris, France | |
| Artists Make Toys, The Clocktower, Institute of Art and Urban Resources, New York, USA | |
| Drawings, Harcus Krakow Sonnabend Rosen, Boston, Massachusetts, USA | |
| Art and Landscape, University of Illinois, Chicago, Illinois, USA | |
| 1974 | Wall Sculpture, Women's Interart Center, New York, USA |
| Flower Images, Glaser Gallery, La Jolla, California, USA | |
| Anonymous Was a Woman, California Institute of the Arts, Valencia, California, USA | |
| Drawings, Margo Leavin Gallery, Los Angeles, California, USA | |
| Sculpture, Institute of Contemporary Art, Boston, Massachusetts, USA | |
| Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, Indiana, USA | |
| Painting and Sculpture Today 1974, Contemporary Arts Center, Cincinnati, Ohio, USA | |
| 19th National Print Exhibition, The Brooklyn Museum, Brooklyn, New York, USA | |
| Art as Living Ritual, curated by Horst Gerhard Haberl, Landhaus, Graz, Austria | |
| Non-traditional Sculpture, Smith College Museum of Art, Northhampton, Massachusetts, USA | |
| 1973 | Recent Sculpture and Painting, Lo Giudice Gallery, New York, USA |
| Whitney Biennial, Whitney Museum of American Art, New York, USA | |
| Options 73-30, Contemporary Arts Center, Cincinnati, Ohio, USA | |
| Women Choose Women, New York Cultural Center, New York, USA | |
| 1972 | Master Drawings and Works on Paper, The New Gallery, Cleveland, Ohio, USA |
| Drawings by Sculptors, Margo Leavin Gallery, Los Angeles, California, USA | |
| Painting or Sculpture?, Newark Museum, Newark, New Jersey, USA | |
| Artists' Benefit for Civil Liberties, Leo Castelli Gallery, New York, USA | |
| Summer Drawing Show, Akron Institute of Art, Akron, Ohio, USA | |
| American Women Artists, Kunsthaus, Hamburg, Germany | |
| Young Artists, J.L. Hudson Gallery, Detroit, Michigan, USA | |
| Herbert Distel's Museum of Drawers, Documenta V, Kassel, Germany | |
| Group Show, Neuendorf Gallery, Cologne, Germany | |
| 1971 | 10 Painters, 1 Sculptor, Richard Feigen Gallery, New York, USA |
| Americans, Richard Feigen Gallery, New York, USA | |
| 1967 | Erotic Art, NYCATA, New York, USA |
| 1966 | 3-D Group Show, Castagno Gallery, New York, USA |
| 1961 | Philadelphia Print Club Annual Graphics Show, Philadelphia, Pennsylvania, USA |
| PERFORMANCES, FILMS, VIDEOTAPES, AUDIOTAPES AND RECORDS | |
| 1987 | The Starving Artists' Cookbook. Appearance in Videotape by Paul and Melissa Eidia |
| 1985 | So Help Me Hannah. Audio-video live performance at the Forest City Gallery, London, Ontario and the Art Gallery of Windsor, Windsor, Ontario. Cameras: Scott Stamford and Jake Jablick; Mark Sikich and Paul Vandeborne. 25 minutes. January. |
| 1982 | So Help Me Hannah, Audio-video live performance at A.I.R Gallery, New York. Simultaneous colour and black and white videotapes. Camera: Robert Rubin and Bill Dolson. 25 minutes. February. |
| Stand Up. Song with words and vocal by Hannah Wilke for "Revolutions Per Minute: The Art Record," published by Ronald Feldman Fine Arts and Charing Cross Co. | |
| 1981 | Sex and Language. Live filmed and photographed performance for the Fifth International Congress of Psychoanalysis, Movimento Freudiano Internazionale, at the Plaza Hotel, New York. |
| 1979 | So Help Me Hannah. Audio-video live performance at D.C. Space in Washington, DC. Two simultaneous black and white videotapes. Cameras: Dan Dynaflow and Pat Molella. 25 minutes. May. |
| So Help Me Hannah. Audio-video live performance at Kiplings, New York. Two black and white simultaneousvideotapes. Camera: John Keeler and Joe Prio. 25 minutes. October. | |
| 1978 | (I Object) Performalist Self-portraits. Black and White videotape of artist in her exhibition at Ronald Feldman Fine Arts, New York. Camera: Tom Bowes. 25 minutes. |
| Give: Hannah Wilke Can -- A Living Sculpture Needs to Make a Living. Benefit performance for The Public Art Fund for City Walls, Susan Caldwell Gallery, New York. | |
| 1977 | Intercourse With... Performance and lecture at the London Art Museum and Library, |
| London, Ontario. Two simultaneous black and white videotapes. 30 minutes. | |
| Sugar Giver. Colour videotape vignettes. Camera: John Sanborn. | |
| The Last Tapes of Marcel Duchamp. Performance in videotape by John Sanborn. | |
| 1976 | I'd Be Rich as Rockefeller -- My Count-ry 'Tis of Thee. Singing performance at the Whitney Museum of American Art, New York for the series "Sunday Afternoon on a Revolving Stage," staged by Jean DuPuy. |
| Starification. One-person exhibition of audio, video and performance documentation with art relating to performances from 1970 to 1976. Fine Arts Gallery, University of California at Irvine. | |
| 1976 Hannah Wilke Through the Large Glass. 16 mm colour film of performance behind Duchamp's The Bride Stripped Bare by Her Bachelors, Even at the Philadelphia Museum of Art. | |
| 1976 | Philly. Black and white videotape documenting performance at the Philadelphia Museum of Art and the filming of "C'est la Vie Rrose." Camera: Andy Mann. Edited by John Sanborn and Hannah Wilke. 30 minutes. |
| C'est la Vie Rrose. Hannah Wilke starring as herself in feature film made for German television by Christof Stenzel. Includes performance behind Duchamp's The Bride Stripped Bare... | |
| My Count-ry 'Tis of Thee. Fourth of July performance at the Albright-Knox Art Gallery, Buffalo, NY. Installation of 12-foot photo "Goddesses" and creation of chewing gum sculpture frieze for museum portico. | |
| 1975 | White Sheets and Quiet Dots. Public participation performances by Lil Picard at the Max Hutchinson Gallery, New York with Hannah Wilke as Venus. |
| My Country 'Tis of Thee. Live performance for cable television at Artists' Rights exhibition, New York. | |
| S.O.S. Live video performance as part of sculpture exhibition at the Gerald Piltzer Gallery, Paris. | |
| Hello Boys. Black and white videotape. Camera: Gerald Piltzer. 10 minutes. | |
| Invasion Performance. Performance at opening of Lynda Benglis show using Benglis' draped column as backdrop for living sculpture, Paula Cooper Gallery, New York, NY. | |
| Intercourse With ... Audiotape of telephone messages recorded from 1973 through 1975. Two hours. Exhibited at "Lives" show at the Fine Arts Building, New York, USA. | |
| 1974 | Hannah Wilke Super-t-Art. Performance at the Kitchen Center, New York, for the series "Soup and Tart," staged by Jean DuPuy. November. |
| Gestures. Black and white videotape. 30 minutes. | |
| Afternoons with Paul. Black and white video vignettes. Camera: Paul Tschinkel. | |
| 1970 | The Great Ice Cream Robbery. Double-screen 16 mm colour film. Featuring Claes Oldenburg and Hannah Wilke, directed by James Scott. Arts Council of Great Britain. |
| 1969 | Erasers and Snails and a Couple of Towels. 8 mm colour film. Camera: Claes Oldenburg. Los Angeles, California. |
| LECTURES, WORKSHOPS AND CONFERENCES | |
| 1990 | The St. Louis Art Museum, St. Louis, Missouri. Cancer Survivors' Day. Keynote speaker. |
| 1989 | University of Missouri, St. Louis, Missouri. Lecture. |
| University of Missouri, Kansas City, Missouri. Lecture. | |
| Pratt Institute, New York. Lecture. | |
| 1988 | University of California, Los Angeles, California. Lecture. |
| California Institute of the Arts, Valencia, California. Lecture. | |
| Pasadena Art Institute, Pasadena, California. Lecture. | |
| 1987 | University of Texas, El Paso, Texas. Ceramic, print and sculpture workshops. Lecture. |
| National Women's Sculpture Conference, Cincinnati, Ohio. Panel on performance and sculpture. | |
| Pratt Institute, Brooklyn, New York. Lecture. February. | |
| Moore College of Art, Philadelphia, Pennsylvania. Lecture. | |
| Artists Talk on Art, 22 Wooster Street Gallery, New York. Panel on "Blue Angel" exhibition at the Longwood | |
| Arts Gallery, Bronx, New York. October. | |
| Ithaca College, Ithaca, New York. April. | |
| 1985 | School of Visual Arts, New York. Lecture. |
| State University of New York, Purchase, New York. Lecture. | |
| Avenue B Gallery, New York. Panel on "Feminists and Misogynists" exhibition. | |
| 1984 | BACA, Brooklyn, New York. Panel on women's performance art. |
| University of Arizona, Tucson, Arizona. Exhibition and lecture. | |
| 1983 | Oberlin College, Oberlin, Ohio. Lecture. |
| Atlanta College of Art and High Museum of Art, Atlanta, Georgia. Lecture. January. | |
| 1982 | New York Feminist Art Institute, Women's Center for Learning, New York. Weekend Studio Course. September. |
| 1981 | Artists Talk on Art, SoHo 20 Gallery, New York. Panel on postcard art. |
| 1980 | University of Alaska, Fairbanks, Alaska. Ceramics and metal workshops. Lecture. |
| Florida International University, Miami, Florida. Lecture. | |
| 1979 | Ohio University, Athens, Ohio. Ceramic and metal workshops. Lecture. |
| Smith College, Northampton, Massachusetts. Panel: "Contemporary Women in the Visual Arts." | |
| Miami-Dade Community College, Miami, Florida. Lecture. January. | |
| Kingsborough Community College, Brooklyn, New York. Lecture. | |
| Ithaca College, Ithaca, New York. Lecture. | |
| University of Rochester, Rochester, New York. Lecture. | |
| The New York Reading Series, New York. | |
| 1978 | State University of New York, Plattsburgh, New York. Lecture. |
| 1977 | University of Illinois, Circle Campus, Chicago, Illinois. Lecture. |
| Artemisia Gallery, Chicago, Illinois. Lecture. | |
| 1976 | Alfred University, Alfred, New York. Ceramics workshop. |
| 1974 | Berry College, Mt. Berry, Georgia. Lecture. |
| Dennison University, Granville, Ohio. Lecture. | |
| 1973 | WBAI, New York. Panel on women's art moderated by Judith Vivell. |
| COLLECTIONS | |
| Albright Knox Art Gallery, Buffalo, New York, USA | |
| Allen Memorial Art Museum, Oberlin, Ohio, USA | |
| Berkeley Art Museum, Berkeley, California, USA | |
| The Brooklyn Museum, Brooklyn, New York, USA | |
| Carnegie Museum, Philadelphia, Pennsylvania, USA | |
| Cincinnati Art Museum, Cincinnati, Ohio, USA | |
| Des Moines Art Center, Des Moines, Iowa, USA | |
| Solomon R. Guggenheim Museum, New York, USA | |
| Hammer Museum, Los Angeles, California, USA | |
| Helsinki Art Museum, Helsinki, Finland | |
| The Jewish Museum, New York, USA | |
| Coleccion Jumex, Mexico City, Mexico | |
| List Museum of Art, Brown University, Providence, Rhode Island, USA | |
| Los Angeles County Museum of Art, Los Angeles, California, USA | |
| Metropolitan Museum of Art, New York, USA | |
| University of Michigan Museum of Art, Ann Arbor, Michigan, USA | |
| Moderna Museet Malmö, Malmö, Sweden | |
| Museum of Contemporary Art, Los Angeles, California, USA | |
| Museum of Contemporary Art, North Miami, Florida, USA | |
| Museum of Modern Art, New York, USA | |
| Neuberger Museum of Art, SUNY, Purchase, New York, USA | |
| Nevada Art Museum, Reno, Nevada, USA | |
| Centre Pompidou, Musee National d'Art Moderne, Paris, France | |
| Princeton University Art Museum, Princeton, New York, USA | |
| Pushkin Museum, Moscow, Russia | |
| Radford University Galleries, Radford, Virginia, USA | |
| Serralves Museum, Porto, Portugal | |
| Museo Nacional Centro de Arte Reina Sophia, Madrid, Spain | |
| Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| Tate, London, UK | |
| Tokyo Metropolitan Museum of Photography, Tokyo, Japan | |
| Edwin A. Ulrich Museum of Art, Wichita State, Kansas, USA | |
| Wadsworth Atheneum, Hartford, Connecticut, USA | |
| Walker Art Center, Minneapolis, Minnesota, USA | |
| Whitney Museum of American Art, New York, USA | |
| Williams College Museum of Art, Williamstown, Massachusetts, USA | |
| Yale University Art Gallery, New Haven, Connecticut, USA | |