Ana Mendieta, Detail from Untitled (Facial Hair Transplants), 1972. © The Estate of Ana Mendieta Collection, LLC
| ANA MENDIETA | |
| Born 1948 in Havana, Cuba | |
| Died 1985 in New York, USA | |
| EDUCATION | |
| 1972 | MA, University of Iowa, Iowa City, Iowa, USA |
| 1976 | MFA, University of Iowa, Iowa City, Iowa, USA |
| SOLO EXHIBITIONS | |
| 2020 | Ana Mendieta: Ochún, Cleveland Museum of Art, USA |
| Ana Mendieta: Blood Inside Outside, Baltimore Museum of Art, USA | |
| 2019 | Ana Mendieta: Source, Galleria Raffaella Cortese, Milan, Italy |
| Ana Mendieta: LA TIERRA HABLA (THE EARTH SPEAKS), Galerie Lelong & Co., New York, USA | |
| Ana Mendieta: Connecting to the Earth, Institute of Modern Art, Brisbane, Australia | |
| Ana Mendieta: Earthbound, Middelheim Museum, Belgium | |
| 2018 | Covered in Time and History: The Films of Ana Mendieta, Martin-Gropius-Bau, Berlin, Germany; travelled to Institute for Contemporary Art, Galerie nationale du Jeu de Paume, Paris, France |
| Cuba & Miami: 1981-93, Galerie Lelong, Paris, France | |
| 2017 | Ana Mendieta: Silueta Sangrieta, Colby Museum of Art, Waterville, Maine, USA |
| Ana Mendieta: Thinking About Children's Thinking, Sugar Hill Children's Museum of Art & Storytelling, New York, USA | |
| Siluetas de Alma (Soul Silhouettes) - 6th Thessaloniki Biennale, State Museum of Contemporary Art, Thessaloniki, Greece | |
| Covered in Time and History: The Films of Ana Mendieta, Bildmuseet, Umeå, Sweden | |
| Ana Mendieta: Metamorphosis, Alison Jacques Gallery, London, UK | |
| Rose Video 10 | Ana Mendieta, The Rose Art Museum at Brandeis University, Waltham, Massachusetts, USA | |
| 2016 | Covered in Time and History: The Films of Ana Mendieta, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, Minnesota, USA; travelled to NSU Art Museum Fort Lauderdale, Fort Lauderdale, Florida, USA; University of California, Berkeley Art Museum; Pacific Film Archive, Berkeley, California, USA |
| Ana Mendieta: Experimental and Interactive Films, Galerie Lelong, New York, USA | |
| Ana Mendieta, Raffaella Cortese Gallery, Milan, Italy | |
| Ana Mendieta: Siluetas, CONTACT Gallery, Toronto, Canada | |
| 2015 | Ana Mendieta: Alma, Silueta en Fuego, Saint Louis Art Museum, St. Louis, Missouri, USA |
| 2014 | Ana Mendieta, The Israel Museum, Jerusalem, Israel |
| 2013 | Ana Mendieta: Traces, Hayward Gallery, London, UK; travelled to Museum der Moderne, Salzburg, Austria; Galerie Rudolfinium, Prague, Czech Republic |
| Ana Mendieta: She Got Love, Castello di Rivoli Museo d'Arte, Torino, Italy | |
| Ana Mendieta: Late Works, Galerie Lelong, New York, USA | |
| Ana Mendieta in Exile: Selected Films, Johnson Museum of Art, Cornel University, Ithaca, New York, USA | |
| 2012 | Ana Mendieta in Context: Public and Private Work, De La Cruz Collection, Miami, Florida, USA |
| 2011 | Ana Mendieta, Art Institute of Chicago, Illinois, USA |
| Blood and Fire, Galerie Lelong, Paris, France | |
| 2010 | Ana Mendieta: Documentation and Artwork, 1972-1985, Galerie Lelong, New York, USA |
| Where Is Ana Mendieta? Donde esta Ana Mendieta? 25 Years Later - An Exhibition and Symposium, Fales Library, New York University, New York, USA | |
| Silueta and Silence, Alison Jacques Gallery, London, UK | |
| 2009 | People Looking at Blood, Moffitt, Signal Contemporary Art Center, Malmö, Sweden |
| 2008 | Converge: Ana Mendieta and Hans Breder 1970-1980, Galerie Lelong, New York, USA |
| 2005 | Beyond the Performance: Ana Mendieta in the 1970's, Smith College Museum of Art, Northampton, Massachusetts, USA |
| Heroines: Valie Export, Carolee Schneemann, Ana Mendieta, Galerie Akinci, Amsterdam, Netherlands | |
| 2004 | Earth Body, Sculpture and Performance 1972-1985, Whitney Museum of American Art, New York, USA; travelled to the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA; Des Moines Art Center, Des Moines, Iowa, USA; Miami Art Museum, Miami, Florida, USA |
| Film Works and Drawings 1974 - 1985, Galerie Lelong, New York, USA | |
| Griffin Contemporary, Santa Monica, California, USA | |
| 2002 | Body Tracks, Neues Kunstmuseum Luzern, Lucerne, Switzerland; travelled to Fries Museum, Leeuwarden, Netherlands |
| Kunst-Werke Berlin, KW Institute of Contemporary Art, Berlin, Germany | |
| 2000 | Ana Mendieta and Vito Acconci: A Relationship Study 1969-1976, Galerie Lelong, New York, USA |
| Performance works, Siluetas, Drawings, and Objects, Galerie Lelong, Zürich, Switzerland | |
| 1999 | Ana Mendieta and Marina Abramovic: Rest/energy, Galerie Lelong, New York, in collaboration with Sean Kelly Gallery, New York, USA |
| Galerie Akinci, Amsterdam, Netherlands | |
| Galerie Nathalie Obadia, Paris, France | |
| Selected Works, Kunstwerke, Berlin, Germany | |
| 1998 | Blum and Poe, Los Angeles, California, USA |
| Bernard Toale Gallery, Boston, Massachusetts, USA | |
| Museum of Contemporary Art, Los Angeles, California, USA | |
| 1997 | Body Imprints and Transformations, Galerie Lelong, New York, USA |
| Elba Benitez Galeria, Madrid, Spain | |
| 1996 | Helsinki City Art Museum, Helsinki, Finland; travelled to Uppsala Konstmuseum, Uppsala, Sweden; The Living Art Museum, Reykjavik, Iceland; Museum of Contemporary Art, Roskilde, Denmark |
| Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain; travelled to Kunsthalle Dusseldorf, Dusseldorf, Germany; Fundació Antoni Tápies, Barcelona, Spain; Museo de Arte Contemporaneo de Monterrey, Mexico; Museo Tamayo, Mexico City, Mexico | |
| Photo etchings, photographs, & works on paper, Elizabeth Newman: collotypes & constructions, Elizabeth Leach Gallery, Portland, Oregon, USA | |
| 1995 | Barbara Gross Galerie, Munich, Germany |
| Galeria DV, San Sebastian, Spain | |
| 1994 | Burial of the Nanigo, Ruth Bloom Gallery, Santa Monica, California, USA |
| The Late Works, Cleveland Center for Contemporary Art, Cleveland, Ohio, USA | |
| Artothèque de Caen, France | |
| Lineas, 1980-1983, Galerie Lelong, New York, USA | |
| 1993 | Centre d'Art Contemporain, Ile de Vassivière, France |
| 1992 | Laura Carpenter Fine Art, Santa Fe, New Mexico, USA |
| 1991 | The Silueta Series, Galerie Lelong, New York, USA; travelled to University of Massachusetts, Dartmouth, Massachusetts, USA; Wexner Center for the Arts, Columbus, Ohio, USA; University Art Gallery, San Diego State University, California, USA; Freedman Gallery, Albright College, Reading, Pennsylvania, USA |
| 1990 | Aspen Arts Museum, Aspen, Colorado, USA |
| Pat Hearn Gallery, New York, USA | |
| 1989 | Carlo Lamagna Gallery, New York, USA |
| 1988 | Los Angeles Contemporary Exhibitions (LACE), Los Angeles, California, USA |
| Terne Gallery, New York, USA | |
| 1987 | The New Museum of Contemporary Art, New York, USA |
| 1985 | Gallery AAM, Rome, Italy |
| 1984 | Primo Piano, Rome, Italy |
| 1983 | Museo Nacional de Bellas Artes, Havana, Cuba |
| 1982 | Douglas College, Rutgers University, New Brunswick, New Jersey, USA |
| The Lowe Art Museum, University of Miami, Miami, Florida, USA | |
| The University Art Museum, University of New Mexico, Albuquerque, New Mexico, USA | |
| Yvonne Seguy Gallery, New York, USA | |
| 1981 | A.I.R. Gallery, New York, USA |
| 1980 | Colburn Gallery, University of Vermont, Burlington, Vermont, USA |
| Keane College, Union, New Jersey, USA | |
| Museo de Arte Contemporaneo, São Paolo, Brazil | |
| 1979 | A.I.R. Gallery, New York, USA |
| 1977 | Corroboree: Gallery of New Concepts, University of Iowa, Iowa City, Iowa, USA |
| 1976 | 112 Greene Street, New York, USA |
| 1971 | Iowa Memorial Union, University of Iowa, Iowa City, Iowa, USA |
| SELECTED GROUP EXHIBITIONS | |
| 2020 | Irrigation Veins: Ana Mendieta and Carolee Schneemann Selected Works 1966-1983, Galerie Lelong, New York/Paris in collaboration with P.P.O.W (online) |
| The Artist and the Self, James Fuentes, New York (online) | |
| Feminist Avant-garde of the 1970s, International Center of Photography, New York, USA | |
| Masculinities: Liberation through Photography, The Barbican, London, UK; travelling to Martin Gropius Bau, Berlin, Germany | |
| Grounded: Environments in Flux, Palmer Museum of Art, Pennsylvania, USA | |
| All of Them Witches, curated by Laurie Simmons and Dan Nadel, Deitch Projects, Los Angeles, USA | |
| 2019 | Soft & Wet, Elizabeth Fine Arts Project Space, New York, New York, USA |
| MOMENTA Biennale de l'image, Montreal, Québec, Canada | |
| IncarNations. African Art as Philosophy, BOZAR Centre for Fine Arts, Brussels, Belgium | |
| Libertad, Momenta, Dazibao, Montreal, Canada | |
| From Where I Stand, Sheldon Museum of Art, University of Nebrask-Lincoln, Lincoln, Nebraska, USA | |
| Otherwise Obscured, Franklin Street Works, Stamford, Connecticut, USA | |
| The Sensation of Space, The Warehouse, Dallas, Texas, USA | |
| Live Dangerously, National Museum of Women in the Arts, Washington, D.C., USA | |
| Beyond Infinity: Contemporary Art after Kusama, ICA Boston, USA | |
| Still I Rise: Feminisms, Gender Resistance, Act 3, Arnolfini, Bristol, UK | |
| FEMINISMES!, CCCB - Centre de Cultura Contemporànea de Barcelona Montalegre, Spain | |
| The Academic Body, American Academy in Rome, Rome, Italy | |
| Artistic Licence, Solomon R. Guggenheim Museum, New York, USA | |
| Five Artists: Sites Encountered, M+, Hong Kong | |
| Women Bound and Unbound, Oberlin College, Oberlin, Ohio, USA | |
| De l'immersion à l'osmose Chaosmose #2, Frac île-de-france, Paris, France | |
| The Body is the Map: Approaches to Land in the Americas After 1960, Oberlin College, Ohio, USA | |
| Nature's Nation: American Art and Environment, Crystal Bridges Museum of American Art, Arizona, USA | |
| She Persists, A Century of Women Artists in New York, Gracie Mansion, New York, USA | |
| 14 Triennale Kleinplastik, Kulturamt der Stadt Felbach, Fellbach, Germany | |
| 2018 | TRANSANTIQUITY, Galeria Municipal do Porto, Portugal |
| A Body Measured Against the Earth, Museum of Contemporary Art, Chicago, Illinois, USA | |
| Still I Rise: Feminisms, Gender, Resistance, Nottingham Contemporary, Nottingham, UK | |
| Modern Roots: A Survey of Latin American Art from the collection, Weatherspoon Art Museum, North Carolina, USA | |
| What Absence Is Made Of, Hirshhorn Museum and Sculpture Garden, New York, USA | |
| Nature's Nation: American Art and Environment, Princeton University Art Museum, Princeton, New Jersey, USA | |
| Feminist Avant-Garde of the 1970s, Stavanger Art Museum, Norway; travelled to The Brno House of Arts, Brno, Czech Republic | |
| BODY/PARTS: Works from the Collection of Raymond J. Learsy, Mattatuck Museum, Waterbury, Connecticut, USA | |
| DRAG: Self-Portraits and Body Politics, Hayward Gallery, London, UK | |
| We Don't Need Another Hero, 10th Berlin Biennial, Berlin, Germany | |
| Radical Women: Latin American Art, 1960-1985, Brooklyn Museum of Art, New York, USA | |
| Laid Bare in the Landscape, Nevada Museum of Art, Reno, Nevada, USA | |
| Wilderness, Schirn Kunsthalle, Frankfurt, Germany | |
| I SEE YOU, SCAD Museum of Art, Savannah, Georgia, USA | |
| A Tradition of Revolution, Nasher Sculpture Center, Dallas, Texas, USA | |
| The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts Co. (1983- 2004), Center for Curatorial Studies and Hessel Museum of Art, Bard College, New York, USA | |
| Einstein as a method, Muzeum Sztuki w Łodzi, Poland | |
| We Wanted a Revolution: Black Radical Women, 1965-85, Albright-Knox Gallery, Buffalo, New York, USA; travelled to ICA Boston, Boston, Massachusetts, USA | |
| A Tale of Two Worlds. Experimental Latin American Art in Dialogue with the MMK Collection 1940s-1980s, MMK Museum für Moderne Kunst Frankfurt am Main, Frankfurt am Main, Germany; travelled to Museo de Arte Moderno, Buenos Aires, Argentina | |
| The Matter of Photography: Experiments in Latin American Art Since the 60s, Cantor Center for Visual Arts, Stanford University, Stanford, California, USA | |
| Force and Form, De la Cruz Collection, Miami, Florida, USA | |
| The Un-Heroic Act. Representations of Rape in Contemporary Women's Art in the US, John Jay College for Criminal Justice, City University of New York, USA | |
| Queenie: Selected artworks by female artists from El Museo del Barrio's Collection, Hunter East Harlem Gallery, New York, USA | |
| 2017 | Feminist Avant-Garde of the 1970s, ZKM | Karlsruhe, Karlsruhe, Germany |
| The Matter of Photography: Experiments in Latin American Art Since the 60s, Cantor Center for Visual Arts, Stanford University, Stanford, California, USA | |
| Nature's Nation: American Art and Environment, Princeton University Art Museum, Princeton, New Jersey, USA | |
| We Are Here, Museum of Contemporary Art, Chicago, Illinois, USA | |
| What Absence is Made Of, Hirshhorn Museum, Washington, D.C., USA | |
| Radical Women: Latin American Art, 1960-1985, Hammer Museum, Los Angeles, California, USA | |
| Journeys with the Waste Land, Turner Contemporary, Margate, UK | |
| Entering the Landscape, Plug in Institute of Contemporary Art, Winnipeg, Canada | |
| ON/OFF, Casa Victor Hugo, Havana, Cuba | |
| Naturaleza: Refugio y recurso del hombre, Centro Cultural Kirchner, Buenos Aires, Argentina | |
| Intuition, Palazzo Fortuny, Venice, Italy | |
| Imaginary Ancestors, Almine Rech Gallery, New York, USA | |
| 14th Annual Iowa City IDOCS Film Festival, FilmScene, Iowa City, Iowa, USA | |
| We Wanted a Revolution: Black Radical Women, 1965-85, Brooklyn Museum, | |
| Brooklyn, New York, USA | |
| Poetry in Motion, Hong Kong International Film Festival, Hong Kong, China | |
| A pied d'oeuvre(s), Monnaie de Paris, Paris, France | |
| Rose Video 10, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| Unsettled, Nevada Museum of Art, Reno, Nevada; travelled to Anchorage Museum, Anchorage, Arkansas, USA; Palm Springs Museum, Palm Springs, California, USA | |
| SoixanteDixSept Experiment, Centre Photographique d'Ile-de-France, Pontrault-Combault, France | |
| Wild Noise/Ruido Salvaje, Bronx Museum of the Arts, The Bronx, New York, USA | |
| The Making of the National Art: Indigenismos, 1800-2015, San Diego Museum of Art, San Diego, California, USA | |
| Anu Põder. Be Fragile! Be Brave!, Art Museum of Estonia, Tallinn, Estonia | |
| Intersectional Self, The 8th Floor, New York, USA | |
| Delirious, Metropolitan Breuer, New York, USA | |
| Faces, Deutsche Hygiene-Museum, Dresden, Germany | |
| Cample Line, Cample Mill, UK | |
| Performing Gender, Backlit, Nottingham, UK | |
| Wanderlust: Actions, Traces, Journeys 1967-2017, University at Buffalo Art Galleries, Buffalo, New YorkUSA | |
| 2016 | Feminist Avant-Garde of the 1970s, The Photographers Gallery, London, UK |
| Pink Powder, NOVA Southeastern University, Fort Lauderdale, Florida, USA | |
| Dépenses, Lab Labanque, Bethune, France | |
| Ecce Homo/Behold the Man, Museum de Fundatie, Zwolle, the Netherlands | |
| Phantom Bodies: The Human Aura in Art, Ringling Museum of Art, Sarasota, Florida, USA | |
| XVI WOMAN BIENNIAL - BIENNALE DONNA 2016, PAC Museum, Ferrara, Italy | |
| Audacious: Contemporary Artists Speak Out, Denver Art Museum, Denver, Colorado, USA | |
| Like a Rolling Stone, Charles H. Scott Gallery, Vancouver, Canada | |
| PRIÈRE DE TOUCHER - The Touch of Art, Museum Tinguely Basel, Basel, Switzerland | |
| Sublime. The Tremors of the World, Centre Pompidou-Metz, Metz, France | |
| Energy Change: Connecting to Ana Mendieta, Arizona State University (ASU) Art Museum, Tempe, Arizona, USA | |
| 2015 | Self-Timer Stories, MUSAC Museo de Arte Contemporáneo de Castilla y León, León, Spain |
| Fire and Forget: On Violence, KW Institute for Contemporary Art, Berlin, Germany | |
| Flying over the Abyss, Neon, Athens, Greece | |
| Natural Affairs, QuadrArt, Dornbirn, Germany | |
| SELF: Portraits of Artists in Their Absence, National Academy, New York, USA | |
| America Is Hard to See, Whitney Museum of American Art, New York, USA | |
| Between History and the Body, The 8th Floor, New York, USA | |
| Mein Körper ist das Ereignis - Wiener Aktionismus und internationale Performance, Museum Moderner Kunst Stiftung Ludwig - MUMOK, Vienna, Austria | |
| En cuerpo y alma: Mujeres artistas de los siglos XX y XXI, Sala kubo-kutxa, San Sebastián, Spain | |
| Feministiche Avant Garde der 1970er Jahre, Hambueger Kunsthalle, Hamburg, Germany | |
| de-FORMATIONS, Bruce Silverstein Gallery, New York, USA | |
| Arqueologías de destrucción 1958-2014, Cantor Fitzgerald Gallery, Haverford College, Haverford, Pennsylvania, USA | |
| What Comes After a Sudden Death, Staatliche Kunsthalle Baden-Baden, Germany | |
| Rastros y Vestigios, organised by Colección Isabel y Agustín Coppel, Hospicio Cabañas in Guadalajara, Mexico | |
| The Untold Want, Royal Hibernian Academy, Dublin, Ireland | |
| Cuba Libre!: Works from the Shelley and Donald Rubin Private Collection,The Bronx Museum of the Arts, Bronx, New York, USA | |
| 2014 | Permission to be Global, Museum of Fine Arts, Boston, Massachusetts, USA; travelled to Ella Cisneros Fontanals Collection CIFO, Miami, Florida, USA |
| La Bienal de Arte Paiz, Fundación Paiz para la Educación y la Cultura, Ciudad de Guatemala, Guatemala | |
| Corpus, Zachęta, National Gallery of Art, Warszawa, Poland | |
| ART Farenheit 451: Sailing into the sea of oblivion, Yokohama Triennale 2014, Yokohama, Japan | |
| Transperformance 3 - Corpo Estranho, Oi Futuro, Rio de Janeiro, Brazil | |
| WOMAN. The Feminist Avant-Garde of 1970s. Photo and Video from Sammlung Verbund, Mjellby Konstmuseum, Halmstad, Sweden | |
| Permission to be Global / Prácticas Globales, CIFO, Miami, Florida, USA | |
| Permission to be Global,Museum of Fine Arts, Boston, Massachusetts, USA | |
| Unbound: Contemporary Art after Frida Kahlo, Museum of Contemporary Art, Chicago, Illinois, USA | |
| One Another: Spiderlike, I Spin Mirrors, Albright-Knox Art Gallery, Buffalo, New York, USA | |
| Becoming Male, Freedman Gallery, Center for the Arts, Albright College, Reading, Pennsylvania, USA | |
| Lens-based Sculpture: The Transformation of Sculpture through Photography, Akademie der Künste, Berlin, Germany. Travelled to Kunstmuseum Liechtenstein, Vaduz, Liechtenstein. | |
| La Disparition des Lucioles (The Disappearance of the Fireflies), Prison Sainte-Anne, Avignon, France | |
| Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago, Chicago, Illinois, USA | |
| Transformations:Ingeborg Lüscher, Ana Mendieta, Teresa Murak, Campagne Première, Berlin, Germany | |
| In Order to Join, Städtishces Museum Abteiberg, Mönchengladbach, Germany | |
| 2013 | Our America, Smithsonian American Art Museum, Washington, D.C., USA |
| Body I Am, Alison Jacques Gallery, London, UK | |
| Skin Trade: An In-Depth Look at the Surface of Things, PPOW Gallery, New York, USA | |
| Them. Itself. Naked., Paula Modersohn-Becker Museum, Bremen, Germany | |
| Desire, Yancey Richardson Gallery, New York, USA | |
| Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary, Nottingham, UK; travelled to Tate St. Ives, Cornwall, UK | |
| Summer Exposure, Galerie Lelong, New York, USA | |
| MUJER. La vanguardia feminista de los años 70 Obras de la SAMMLUNG VERBUND, Vienna [WOMAN. The Feminist Avant-Garde from the 1970s Works from the SAMMLUNG VERBUND, Vienna], Círculo de Bellas Artes, Madrid, Spain; travelled to BOZAR, Centre for Fine Arts, Brussels, Belgium; Mjellby Art Museum, Halmstad, Sweden | |
| Female Power, Museum voor Moderne Kunst Arnhem, Arnhem, The Netherlands | |
| Corpi in Azione / Corpi in Visione: Esperienze Indagini Artistiche, Museo Pecci, Milan, Italy | |
| Conceptual Geographies: Frames and Documents: Selections from the Ella Fontanals-Cisneros Collection, Wallach Art Gallery, Columbia University, New York, USA | |
| Ground: Materiality No.2 (Earth), Soro Kunstmuseum, Soro, Denmark | |
| Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967 - 1978, The Bertha and Karl Leubsdorf Art Gallery, CUNY Hunter College, New York, USA | |
| 2012 | The Female Gaze: Women Artists Making Their World, Penssylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, USA |
| Behold, America! Art of the United States from Three San Diego Museums, Museum of Contemporary Art San Diego La Jolla, California, USA | |
| From Death to Death and other Small Tales, Scottish National Gallery of Modern Art, Edinburgh, Scotland | |
| Taboo, Museum of Contemporary Art, Sydney, Australia | |
| A Bigger Splash: Painting after Performance, Tate Modern, London, UK | |
| Elles: Women Artists from the Centre Pompidou, Seattle Art Museum, Seattle, Washington, USA | |
| Multiple Views: Selections from the Ella Cisneros-Fontanals Collection, Havana's National Museum of Fine Art, Cuba | |
| Caribbean: Crossroads of the World, Queens Museum of Art, New York, USA; travelled to El Museo del Barrio, New York, USA; Studio Museum Harlem, New York, USA | |
| Mind-Scapes, La Centrale Electrique, Brussels, Belgium | |
| Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles, California, USA | |
| Das Atelier. Orte Der Produktion, Kunstmuseum Luzern, Luzern, Switzerland | |
| 11th Havana Biennial, Havana, Cuba | |
| Animism, e-flux, New York, USA | |
| The Politics of Place: Latin American Photography, Past and Present, Phoenix Art Museum, Phoenix, Arizona, USA | |
| DAY FOR NIGHT: Between Reality and Illusion, Borough of Manhattan Community College, New York, USA | |
| Who More Sci-Fi Than Us, contemporary art from the Caribbean, Kunsthal KAdE, Amersfoort, Netherlands | |
| Don't Mess with the Saints, William Patterson University Galleries, Wayne, New Jersey, USA | |
| 2011 | Dark Christmas, Leo Koenig inc, New York, USA |
| Frames and documents: Conceptualist practices. The Elle Fontanals Cisneros Collection, Cisneros Fontanal Art Foundation, Miami, Florida, USA | |
| Collection, CIFO Art Space, Miami, Florida, USA | |
| re.act.feminism #2: a performing archive, Centro Cultural Montehermoso Kulturunea, Victora- Gasteiz, Spain | |
| Selected Histories: 20th-Century Art from the SFMOMA Collection, San Francisco Museum of Modern Art, California, USA | |
| Contemporary Galleries: 1980 - Now, Museum of Modern Art, New York, USA | |
| Galería Kurimanzutto, San Miguel Chapultepec, México | |
| History Lessons, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria | |
| The Personal is Political: Women Artists from the Collection, Museum of Contemporary Art, Los Angeles, California, USA | |
| Animismus: Moderne hinter den Spiegeln, Generali Foundation, Vienna, Austria | |
| Distant Star / Estrella Distante, Regen Projects, Los Angeles, California, USA | |
| Surreal/Subjective: Recent Photographic Gifts From Alumni, The Herbert F. Johnson Museum of Art, Ithaca, New York, USA | |
| TRA: The Edge of Becoming, Palazzo Fortuny, Venice, Italy | |
| Staging Action: Performance in Photography since 1960, Museum of Modern Art, New York, USA | |
| Dirty Pictures, Denver Art Museum, Colorado, USA | |
| GOLDMINE: Contemporary Works From the Collection of Sirje and Michael Gold, University Art Museum, California State University, Long Beach, California, USA | |
| Art and Confrontation in Latin America: 1910-2010, Palacio de Bellas Artes and Ex Teresa Arte Actual, Mexico City, Mexico | |
| Interventions in the Landscape, Galerie Lelong, New York, USA | |
| 2010 | The Original Copy: Photography of Sculpture, 1939 to Today, Museum of Modern Art, New York, USA |
| Other Than Beauty, Friedman Benda, New York, USA | |
| MODEL KITS, Thinking Latin America from the MUSAC Collection, Contemporáneo de Castilla y León, León, Spain | |
| Flowers, Lies and Revolution: Contemporary Cuban Art, Sheldon Museum of Art, Lincoln, Nebraska, USA | |
| Collection Display: Level 5, Energy and Process, Tate Modern, London, UK | |
| Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York, USA | |
| Territories of Desire: Surfaces of Desire, Museo Universitario Arte Contemporaneo (MUAC), Mexico | |
| Donna: Feminist Avant-Garde of the 1970's, Galleria nazionale d'arte moderna, Rome, Italy | |
| Che cosa sono le nuvole?, Artworks from the Enea Righi Collection, Museum of Modern and Contemporary Art, Bolzano, Italy | |
| Case Studies from the Bureau of Contemporary Art, New Mexico Museum of Art, Santa Fe, New Mexico, USA | |
| Expanded Horizon, Santander Cultural, Porto Alegre, Brazil | |
| Fresh Hell, Palais de Tokyo, Paris, France | |
| What Are Clouds?, Works from the Enea Righi Collection, The Museum of Modern and Contemporary Art Bolzano, Italy | |
| Crossing, Paco das Artes, São Paolo, Brazil | |
| Signs of Life: Ancient Knowledge in Contemporary Art, Kunstmuseum Luzern Museum of Art Lucerne, Lucern, Switzerland | |
| The Travelling Show, La Colección Jumex, Mexico City, Mexico | |
| No Barrier Fun, Lisa Cooley Fine Art, New York, USA | |
| Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, Bilbao, Spain | |
| Move: Choreographing You, The Hayward, London | |
| The Visible Vagina, David Nolan Gallery, New York, USA | |
| 2009 | Elles, Centre Pompidou, Paris, France |
| Harsh Terrain, Roberts & Tilton, Culver City, California, USA | |
| She is a Femme Fatale, Museu Colecção Berardo - Arte Moderna e Contemporânea, Lisbon, Portugal | |
| Action <> Reaction: Video Installations, Detroit Institute of Arts, Detroit, Michigan, USA | |
| Flower Power, Villa Giulia, Centro Ricerca Arte Attuale, Verbania, Italy | |
| Las Americas Latinas. Las fatigas del querer, Spazio Oberdan, Milan, Italy | |
| Mexico: Expected / Unexpected, The Isabel and Agustin Coppel Collection, Tenerife Espacio de las Artes, Tenerife, Spain | |
| Performer, Zacheta National Gallery of Art, Warsaw, Poland | |
| Lest We Forget: The Voice of Art, Weatherspoon Art Museum, Greensboro, North Carolina, USA | |
| A Mancha Humana / The Human Stain, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain | |
| All That Is Solid Melts Into Air, Cultuursite Mechelen, Belgium; organised by the Museum van Hedendaagse Kunst Antwerpen | |
| Hundred Stories About Love, 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| Cuba! Art and History from 1868 to Today, Groninger Museum, Groninge, Netherlands | |
| Rebelle: Art and Feminism 1969-2009, Museum voor Moderne Kunst Arnhem, Netherlands | |
| 2008 | Burning Down the House: Building A Feminist Art Collection, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, Brooklyn, New York, USA |
| Origins, Hudson Valley Center for Contemporary Art, Peekskill, New York, USA | |
| The Greenroom: Reconsidering the Documentary and Contemporary Art, CCS Bard Galleries and Hessel Museum of Art, Annandale-on-Hudson, New York, USA | |
| re.act.feminism: performance art of the 1960's and 70's today, Akademie der Kunste, Berlin, Germany | |
| Isabel and Agustin Coppel Collection, Mexico: Expected / Unexpected, La Maison Rouge, Paris, France | |
| Modern Art. Modern Lives. Then + Now, Austin Museum of Art, Austin, Texas, USA | |
| NeoHooDoo: Art for a Forgotten Faith, Menil Collection, Houston, Texas, USA; travelled to P.S. 1 Contemporary Art Center, Long Island City, New York, USA; Miami Art Museum, Miami, Florida, USA | |
| Body Memory, Princeton University Art Museum, Princeton, New Jersey, USA | |
| Revolutions 1968, Zacheta National Gallery of Art, Warsaw, Poland | |
| Paths of Desire, St. Ambrose University Catich Gallery, Galvin Fine Arts Center, Davenport, Iowa, USA | |
| Cancelled, Erased & Removed, Sean Kelly Gallery, New York, USA | |
| Paper Trail II: Passing Through Clouds, Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| SAND: Memory, Meaning and Metaphor, Parrish Art Museum, Southampton, New York, USA | |
| Comme des bêtes: Ours, chat, cochon & cie, Le Musee cantonal des Beaux-Arts de Lausanne, Switzerland | |
| Highlights of the Permanent Collection: Women Artists, The Bronx Museum, Bronx, New York, USA | |
| Arte No Es Vida: Actions by Artists of the Americas, 1960-2000, El Museo del Barrio, New York, USA | |
| Correspondences: Contemporary Art from the Coleccion Patricia Phelps de Cisneros, Beard Gallery and Weil Gallery, Watson Fine Arts, Wheaton College, Norton, Massachusetts, USA | |
| Pop to the Present: New Questions, New Responses, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA | |
| Cuba! Artists Experience Their Country, Hunterdon Museum of Art, Clinton, New Jersey, USA | |
| Sculptural Concepts, Albertine Monroe-Brown Gallery, Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, Michigan, USA | |
| 2007 | LAB.07: Arte, Deshonra y Violencia en el Contexto Iberoamericano, Centro Cultural de España Montevideo, Montevideo, Uruguay |
| Fortunate Objects: An Exploration of the Everyday in Art, Cisneros Fontanals Art Foundation, Miami, Florida, USA | |
| Currents: Recent Acquisitions, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA | |
| New Perspectives in Latin American Art, 1930-2006: Prints, Photographs, and Media Works, Museum of Modern Art, New York, USA | |
| Beauty and the Blonde: An Exploration of American Art and Popular Culture, Mildred Lane Kemper Art Museum, Kansas City, Missouri, USA | |
| Performance on Demand, Electronic Arts Intermix Viewing Room at EFA Gallery, New York, USA | |
| Plano Intimo, n/2: Nuevos Medios, Sala Parpallo, Valencia, Spain | |
| Live Art on Camera, John Hansard Gallery, University of Southampton, Highfield, Southampton, UK | |
| Six Feet Under: Autopsy of Our Relation to the Dead, Kunstmuseum Bern, Bern, Switzerland; travelled to the Deutsches Hygiene-Museum, Dresden, Germany | |
| Death & Love in Modern Times, Dinter Fine Art, New York, USA | |
| The Naked Portrait, Portrait Gallery, National Galleries of Scotland, Edinburgh, Scotland | |
| A Batalla Dos Xéneros [Gender Battle], Centro Galego de Arte Contemporanea (CGAC), Santiago de Compostela, Spain | |
| New York States of Mind, House of World Cultures, Berlin, Germany; travelled to Queens Museum of Art, Queens, New York, USA | |
| AGENTS of Change: Women, Art and Intellect, Ceres Gallery, New York, USA | |
| Conceptual Photography: 1964-1989, Zwirner & Wirth, New York, USA | |
| Constructing A Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art, Museum of Fine Arts Houston, Houston, Texas, USA | |
| En Primeira Persoa: Relacións do Suxeito na Intimidade, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain | |
| Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas, Texas, USA | |
| Luz ao Sul, Convento del Carmen, Valencia, Spain | |
| Out of Body, Level B Gallery, Deutsche Bank, New York, USA | |
| Role Play: Feminist Art Revisited 1960-1980, Galerie Lelong, New York, USA | |
| Footnotes on Geopolitics, Market, and Amnesia, 2nd Moscow Biennale of Contemporary Art, Moscow, Russia | |
| Speed #1, Institut Valencia d'Art Modern, Valencia, Spain | |
| Cómo Vivar Juntas: Selección 27° Bienal de Sao Paulo, Museo de Arte Contemporáneo, Universidad de Chile, Santiago, Chile | |
| WACK! Art and the Feminist Revolution, The Geffen Contemporary, Museum of Contemporary Art, Los Angeles, California, USA; travelled to National Museum of Women in the Arts, Washington, D.C. USA; Vancouver Art Gallery, Vancouver, British Columbia, Canada; P.S.1 Contemporary Art Center, Long Island City, New York, USA | |
| Wrestle, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, USA | |
| Kiss Kiss Bang Bang, Bilbao Fine Arts Museum, Bilbao, Spain | |
| 2006 | A Curator's Eye: the Visual Legacy of Robery A. Sobieszek, Los Angeles County Museum of Art, Los Angeles, California, USA |
| All Dressed Up With Nowhere to Go, Sorcha Dallas, Glasgow, Scotland | |
| Bienal de Sao Paulo, Sao Paulo, Brazil | |
| Certain Encounters: Daros-Latinamerica Collection, Morris and Helen Belkin Gallery, Vancouver, British Columbia, Canada | |
| Civil Restitutions, Thomas Dane Gallery, London, UK | |
| Drawn Into the World: Drawings from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA | |
| Hair Die, A/V, Rochester, New York, USA | |
| Into Me/Out of Me, P.S.1 Contemporary Art Center, Long Island City, New York, USA; travelled to KW Institute for Contemporary Art, Berlin, Germany; MACRO Future, Museo d'Arte Contemporanea Roma, Rome, Italy | |
| Masquerade: Representation and the Self in Contemporary Art, Museum of Contemporary Art, Sydney, Australia | |
| Notations: Energy Yes!, Philadephia Museum of Art, Philadelphia, Pennsylvania, USA | |
| Primera generación: Arte e imagen en movimiento [1963-1986], Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain | |
| The Downtown Show: The New York Art Scene, 1974-1984, Grey Art Gallery, New York University, New York, USA | |
| The Gesture, Macedonian Museum of Contemporary Art, Thessaloníki, Greece | |
| TRANSactions: Contemporary Latin American and Latino Art, Museum of Contemporary Art San Diego, La Jolla, California, USA; travelled to Memorial Art Gallery, University of Rochester, Rochester, New York, USA; High Museum of Art, Atlanta, Georgia, USA; Weatherspoon Art Museum, Greensboro, North Carolina, USA; Sheldon Art Museum, Lincoln, Nebraska, USA | |
| 2005 | Self Portrait: Renaissance to Contemporary, National Portrait Gallery, London, UK; travelled to the Art Gallery of New South Wales, Sydney, Australia |
| Bodies of Evidence: Contemporary Perspectives, The RISD Museum, Rhode Island School of Design, Providence, Rhode Island, USA | |
| Collection Remixed, Bronx Museum of the Arts, Bronx, New York, USA | |
| Guess Who's Coming To Dinner, Remy Toledo Gallery, New York, USA | |
| Indeterminate States: Video from the Cisneros Fontanals Collection, Cisneros Fontanals Art Foundation, Miami, Florida, USA | |
| Linkages and Themes in the African Diaspora: Selections from the Eileen Harris Norton and Peter Norton Art Collections, Museum of the African Diaspora, San Francisco, California, USA | |
| Points of View: Landscape and Photography, Galerie Lelong, New York, USA | |
| SlideShow, Baltimore Museum of Art, Baltimore, Maryland, USA; travelled to Contemporary Arts Center, Cincinnati, Ohio, USA | |
| The World is a Safer Place: A Survey of Nonconformist Art, Globe City Gallery, Newcastle-upon-Tyne, UK | |
| 2004 | Inaugural Exhibit in the Edward Steichen Photography Galleries, Museum of Modern Art, New York, USA |
| After Image, Victoria Miro Gallery, London, UK | |
| Esprit, Galerie Nathalie Obadia, Paris, France | |
| I Am the Walrus, Cheim and Reid, New York, USA | |
| Il Bello e le bestie, Museo di Arte Moderna e Contemporanea di Trento e Roverto, Trento, Italy | |
| Paisaje & Memoria [Landscape & Memory], Centro Atlantico de Arte Moderno, Vegueta, Spain | |
| Photo Exhibit, Barbara Gross Galerie, Munich, Germany | |
| Traces: Body and Idea in Contemporary Art, The National Museum of Modern Art, Kyoto, Japan; travelled to National Museum of Modern Art, Tokyo, Japan | |
| 2003 | Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, USA |
| Artists' Choice: Mona Hatoum, 'Here is Elsewhere', Museum of Modern Art, New York, USA | |
| After Image, The Fruitmarket Gallery, Edinburgh, Scotland | |
| And the One Doesn't Stir without the Other, Ormeau Baths Gallery, Belfast, Northern Ireland | |
| Last Picture Show: Artists Using Photography, 1960 - 1982, Walker Art Center, Minneapolis, Minnesota, USA; travelled to UCLA Hammer Museum, Los Angeles, California, USA; Fotomuseum Winterthur, Zürich, Switzerland | |
| M_ARS: Art and War, Neue Galerie Graz, Graz, Germany | |
| Through the Looking Glass: Women and Self-Representation in Contemporary Art, Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania, USA | |
| 2002 | 1968 - 1977, l'Art en Cause, Musee d'Art Contemporain de Bordeaux, Bordeaux, France |
| Gloria: Another Look At Feminist Art of the 1970s, White Columns, New York, USA; travelled to The Galleries at Moore, Moore College of Art and Design, Philadelphia, Pennsylvania, USA; The RISD Museum, Rhode Island School of Design, Providence, Rhode Island, USA | |
| Structures of Difference, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA | |
| The Gift: Generous Offerings, Threatening Hospitality, The Bronx Museum of the Arts, Bronx, New York, USA | |
| Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York, USA | |
| 2001 | Burn: Artists Play with Fire, Norton Museum of Art, West Palm Beach, Florida, USA |
| Echoes of the Scream, Arken Museum for Moderne Kunst, Skovvej, Denmark; travelled to Munch-Musset, Oslo, Norway | |
| El Instante Eterno: Art and Spirituality at the Change of Millennium, Espai d'Art Contemporani de Castelló, Castelló, Spain | |
| Il Dono, offerta ospitalita insidia, Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy | |
| Minimalism Past And Presence, Galerie Lelong, New York, USA | |
| New York ca. 1975, David Zwirner Gallery, New York, USA | |
| 2000 | Afro-Cuba, 'Woman' and History in the Works of Ana Mendieta, María Magdalena Campos-Pons, and Marta María Pérez Bravo, William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, USA |
| Barbara Gross Galerie, Munich, Germany | |
| Good Business Is the Best Art: Twenty Years of the Artists in the Marketplace Program, Bronx Museum of the Arts, Bronx, USA | |
| Hypermental: Rampant Reality 1950-2000, Kunsthaus Zürich, Zürich, Switzerland; travelled to Hamburger Kunsthall, Hamburg, Germany | |
| Mennesket - Et halvt arhundrede set gennem kroppem (MAN - Body in art from 1950 to 2000), Arken Museum for Moderne Kunst, Skovvej, Denmark | |
| Performing Bodies, Tate Modern, London, UK | |
| Postmedia: Conceptual Photography in the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, USA | |
| Sabine Kunst Gallery, Munich, Germany | |
| Tempus Fugit: Time Flies, Nelson-Atkins Museum of Art, Kansas City, Missouri, USA | |
| The End: An Independent Vision of the History of Contemporary Culture, Exit Art, New York, USA | |
| The Swamp: On the Edge of Eden, Harn Museum of Art, University of Florida, Gainesville, Florida, USA; travelled to Cummer Museum of Art & Gardens, Jacksonville, Florida, USA | |
| The Wounded Diva, Galerie im Taxispalais, Innsbruck, Austria | |
| Vanitas Personae: An Exploration of Self and Other Related Characters, Robert Miller Gallery, New York, USA | |
| Vivências (Life Experiences), Generali Foundation, Vienna, Austria | |
| 1999 | Drip, Blow, Burn: Forces of Nature in Contemporary Art, The Hudson River Museum, Yonkers, USA |
| Earthworks on Paper, 871 Fine Arts, San Francisco, California, USA | |
| Impact: Revealing sources For Contemporary Art, Contemporary Museum, Baltimore, Maryland, USA | |
| Latin American Still Life: Reflections of Time and Place, Katonah Art Museum, Katonah, New York, USA | |
| Lie of the Land, earth.body.material, John Hansard Gallery, University of South Hampton, Highfield, Southampton, UK | |
| Natural Reality, The Ludwig Forum, Cologne, Germany | |
| Nature Is Not Romantic, Leubsdorf Art Gallery, Hunter College, New York, USA | |
| Powder: The Myth of Mortality, Aspen Museum of Art, Aspen, Colorado, USA | |
| Reflections of Time and Place: Latin American Still Life in the 20th Century, Katonah Museum of Art, Katonah, New York, USA | |
| Regarding BEAUTY in Performance and the Media Arts, 1960-1999, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA | |
| Skin-Deep, Surface and Appearance in Contemporary Art, The Israel Museum, Jerusalem, Israel | |
| 1998 | 25 Years of A.I.R.: The First Women Artists Cooperative in America, Kingsborough Community College, Art Gallery of the City University of New York, USA |
| Art Museum of South Texas, Corpus Christi, Texas, USA | |
| Bilan/Actualité 1991-1998, Centre d'art Contemporain de Vassiviere, Limousin, France | |
| Desde el cuerpo: alegorias de lo femenino (From the Body: Feminine Allegories), Fundacion Museo de Bellas Artes, Caracas, Venezuela | |
| Etre Nature, Fondation Cartier pour l'art contemporain, Paris, France | |
| Extensions: Aspects of the Figure, Joseloff Gallery, Hartford Art School, West Hartford, Connecticut, USA | |
| Galerie Lelong, New York, USA | |
| Galerie Lelong, Paris, France | |
| Jardin d'Artiste: de mémoire d'arbre, Musée Zadkine, Paris, France | |
| Mirror Images: Women, Surrealism, and Self-Representation, List Center, Massachusetts Institute of Technology, Cambridge, Massachusetts, USA; travelled to Miami Art Museum, Miami, Florida, USA; San Francisco Museum of Modern Art, San Francisco, California, USA | |
| Out of Actions: Between Performance and the Object 1949-1979, The Museum of Contemporary Art Los Angeles, Los Angeles, California, USA; travelled to Museu de Art Contemporani de Barcelona, Barcelona, Spain; MAK Austrian Museum of Applied Arts, Vienna, Austria; Museum of Contemporary Art Tokyo, Tokyo, Japan; National Museum of Modern Art, Osaka, Japan. | |
| Play Mode, The Art Gallery, University of California, Irvine, California, USA | |
| Space/Sight/Self, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA | |
| 1997 | 2nd Johannesburg Biennial: Alternating Currents, Johannesburg, South Africa |
| The Body: Expression/Impression, Video Gallery, Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA | |
| 5th International Istanbul Biennial: On Life, Beauty, Translations, and Other Difficulties, Istanbul, Turkey | |
| Amours, La Fondation Cartier pour l'art contemporain, Paris, France | |
| Body, The Art Gallery at New South Wales, Sydney, Australia | |
| Breaking Barriers: Selections from the Museum of Art's Cuban Selection, The Museum of Art, Fort Lauderdale, Florida, USA | |
| Defining Eye: Women Photographers of the 20th Century, St. Louis Art Museum, St. Louis, Missouri, USA; travelled to The Museum of Fine Arts, Santa Fe, New Mexico, USA; The Mead Art Museum, Amherst College, Amherst, Massachusetts, USA; Wichita Art Museum, Wichita, Kansas, USA | |
| Steirischer herbst 97, Graz, Austria | |
| Tarentella, PS 122, New York, USA | |
| 1996 | 20/20: The Visionary Legacy of Doris Chanin Freedman, Freedman Gallery, Albright College Center for the Arts, Reading, Pennsylvania, USA |
| Body as Membrane, Kunsthallen Brandts Klaedefabrik, Odense, Denmark | |
| Bodyscape, Barbara Gross Galerie, Munich, Germany | |
| Collective Soul: Ana Mendieta, Maria Fernanda Cardoso, Valeska Soares, Galeria Marabini, Bologna, Italy | |
| Cuba Siglo XX: Modernidad y Sincretismo, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain; travelled to Fundació La Caixa, Palma de Mallorca, Spain; Centro d'Art Santa Monica, Barcelona, Spain | |
| Divine Flesh: Contemporary Goddess Imagery, Artopia, New York, USA | |
| Multiple Identity: Works from the Whitney Museum of American Art, Museum of Contemporary Art, Barcelona, Spain; travelled to Kunstmuseum Bonn, Bonn, Germany | |
| Inclusion/Exclusion: Art in the Age of Post-Colonialism and Global Migration, Streirischer Herbst 96, Graz, Austria | |
| Inside the Visible: an Elliptical Traverse of Twentieth Century Art In, Of, and From the Feminine, Institute of Contemporary Art, Boston, Massachusetts, USA; travelled to National Museum of Women in Arts, Washington, D.C., USA; Whitechapel Art Gallery, London, UK; Art Gallery of Western Australia, Perth, Australia | |
| Making Pictures: Women and Photography, 1975-Now, Nicole Klagsburn Gallery, New York, USA; travelled to Bernard Toale Gallery, Boston, Massachusetts, USA | |
| More than Minimal: Feminism and Abstraction in the '70s, Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| Refiguring Nature: Women in the Landscape, SF Camerawork, San Francisco, California, USA | |
| Sin Fronteras-Arte Latinoamericano Actual, Museo Alejandro Otero, Caracas, Venezuela | |
| Sexual Politics: Judy Chicago's "Dinner Party" in Feminist Art History, the Armand Hammer Museum of Art and Cultural Center, University of California at Los Angeles, Los Angeles, California, USA | |
| 1995 | Artists Talk Back: Visual Conversations with El Museo - Part III: Reaffirming Spirituality, El Museo del Barrio, New York, USA |
| A Selected Survey, 1983 - 1995, Pat Hearn Gallery, New York, USA | |
| Group show, 100 Greene Street, New York, USA | |
| Being Human, Lucina Freud, Ann Hamilton, Lilian Hsu-Flanders, Dennis Kardon, Sol LeWitt, Ana Mendieta, Laurie Simmons, Kiki Smith, Rabb Gallery, Museum of Fine Arts, Boston, Massachusetts, USA | |
| Fact and Fiction: Photographs from the Permanent Collection, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA | |
| Faith Hope Love Death, Kunsthalle Wien, Vienna, Austria | |
| Féminin-Masculin: Le sexe de l'art, Musée national d'art Moderne, Centre Georges Pompidou, Paris, France | |
| Latin American Women Artists, 1915 - 1995, Milwaukee Art Museum, Wisconin, USA; travelled to Phoenix Museum of Art, Phoenix, Arizona, USA; Denver Art Museum, Denver, Colorado, USA; National Museum of Women in the Arts, Washington, DC, USA; Center for Fine Arts, Miami, Florida, USA | |
| Sniper's Nest: Art that has Lived with Lucy R. Lippard, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, USA | |
| Under Glass, Charles Cowles Gallery, New York, USA | |
| 1994 | A Sense of Place, Elizabeth Leach Gallery, Portland, Oregon, USA |
| American Voices: Latino Photography in the U.S., FotoFest, Houston, Texas, USA | |
| Outside the Frame: Performance and the Object. A Survey of Performance Art in the USA since 1950, Cleveland Center for Contemporary Art, Cleveland, Ohio; travelled to Snug Harbor Cultural Center, Staten Island, New York, USA | |
| Rejoining the Spiritual: The Land in Contemporary Latin American Art, Maryland Institute College of Art, Baltimore, Maryland, USA | |
| The Label Show: Contemporary Art and the Museum, Museum of Fine Arts, Boston, Massachusetts, USA | |
| Transcending the Borders of Memory: Maria Brito, Maria Magdalena Campos-Pons, Maria Martinez-Canas, Ana Mendieta, Norton Gallery of Art, West Palm Beach, Florida, USA | |
| Visceral Responses, Holly Solomon Gallery, New York, USA | |
| XI Mostra da Gravura Icode de Curitiba, Fundacao Cultural de Curitiba, Curitiba, Brazil | |
| 1993 | 1920, Exit Art, New York, USA |
| Body Parts, Haines Gallery, San Francisco, California, USA | |
| Beyond Boundaries: Art of the Sixties and Seventies, San Francisco Museum of Modern Art, San Francisco, California, USA | |
| Differentes Natures, Visions de l'Art Contemporain, Galerie Art 4 and Galerie de l'Esplanade, | |
| Place de la Défense, Paris; travelled to Palau de la Virreina, Barcelona, Spain | |
| Galerie Lelong, New York, USA | |
| I am the Enunciator, Thread Waxing Space, New York, USA | |
| Latin American Artists of the 20th Century, Museum of Modern Art, New York, USA; travelled to Kunsthalle Köln, Cologne, Germany; Estacio Plaza de Armas, Sevilla, Spain; Musée National d'Art Moderne, Paris, France; Hotel des Arts, Fondation Nationale des Arts, Paris, France | |
| Personal Choice: Selections from Four Penn Alumni Collections - Carlos and Rosa de la Cruz, William and Phyllis Mack, Martin Z. Margulies, Ruth and Marvin Sackner, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, USA | |
| Photoplay: Works from the Chase Manhattan Collection, Center for Fine Arts, Miami, Florida, USA; travelled to Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; Museo de Arte de São Paulo, São Paulo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo de Bellas Artes, Santiago, Chile | |
| The Subject of Rape, Whitney Museum of American Art, New York, USA | |
| 1992 | Americas, The Convent of Santa Clara, Seville, Spain, Il Biennale Barro de America, Caracas, Venezuela |
| AnteAmerica, Biblioteca Luis Angel Arango, Bogotá, Colombia; travelled to Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela, USA; Spencer Art Museum, Lawrence, Kansas, USA; Queens Museum of Art, Queens, New York, USA; Centro Cultural de la Raza, San Diego, California, USA; Yerba Buena Center for the Arts, San Francisco, California, USA; Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica | |
| Ver America, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium | |
| 1991 | Art on Paper, Weatherspoon Gallery, University of North Carolina at Greensboro, Greensboro, North Carolina, USA |
| Cuba-USA: The First Generation, Fondo Del Sol Visual Art and Media Center, Washington, DC, USA; travelled to Museum of Contemporary Art, Chicago, Illinois, USA; Minnesota Museum of Art, St. Paul, Minnesota, USA; Art Museum at Florida International University, Miami, Florida, USA | |
| Devil on the Stairs: Looking Back on the Eighties, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, USA; travelled to the Newport Harbor Museum [now the Orange County Museum of Art], Newport Beach, California, USA | |
| El Corazón Sangrante: The Bleeding Heart, Institute of Contemporary Art, Boston, Massachusetts, USA; travelled to Contemporary Arts Museum, Houston, Texas, USA; Institute of Contemporary Art, Philadelphia, Pennsylvania, USA; Mendel Art Gallery, Saskatoon, Saskatchewan, Canada; Newport Harbour Art Museum, Newport Beach, California, USA; Museo de Bellas Artes de Caracas, Caracas, Venezuela; Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico | |
| Experiencing Sculpture: The Figurative Presence in America 1870-1990, The Hudson River Museum, Yonkers, New York | |
| Reclaiming the Spirit, Vreg Baghoomian Gallery, New York, USA | |
| Show of Strength, MADRE exhibition and auction, Anne Plumb Gallery, New York, USA | |
| The Contemporary Drawing: Existence, Passage and the Dream, Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| Visions, Fantasies and Mind Wanderings, Lintas: Worldwide, New York, USA | |
| With Nature, Galerie Lelong, New York, USA | |
| 1990 | Art As Artifact, Institute of Contemporary Art, Philadelphia, Pennsylvania, USA |
| Exoticism. Ezra & Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, USA | |
| Figurative Perspectives: 6 Artists of Latin American Background, Rockland Center for the Arts, West Nyack, New York, USA | |
| Landscape/Mindscape, Carlo Lamagna Gallery, New York, USA | |
| Revered Earth, The Center for Contemporary Arts, Santa Fe, New Mexico, USA; travelled to Contemporary Art Museum, Houston, Texas, USA; Laumeier Sculpture Park, St. Louis, Missouri, USA | |
| Sacred Forces: Contemporary and Historical Perspectives, San Jose State University, San Jose, California, USA | |
| Signs of Life - Process and Materials. 1960-1990, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, USA | |
| Signs of the Self: Changing Perceptions, Woodstock Artists Association, Woodstock, New York, USA | |
| The Decade Show: Frameworks of Identity in the 1980s, The New Museum of Contemporary Art in collaboration with the Museum of Contemporary Hispanic Art and the Studio Museum in Harlem, New York, USA | |
| 1989 | Earth: Latin America's Visions, Museum of Contemporary Hispanic Art, New York, USA; travelled to Museo de Bellas Artes, Caracas, Venezuela |
| Lines of Vision: Drawings By Contemporary Women, Blum Helman Gallery, New York, USA; travelled to Hillwood Art Gallery, Long Island University, Long Island, New York, USA; Murray State University, Murray, Kentucky, USA; Grand Rapids Art Museum, Grand Rapids, Michigan, USA; University Art Gallery, University of North Texas, Denton, Texas, USA; Richard F. Brush Gallery, Saint Lawrence University, Canton, New York, USA; The University of Oklahoma Museum of Art, Norman, Oklahoma | |
| 1988 | Alter/Altar, Carlo Lamagna Gallery, New York, USA |
| Autobiography in Her Own Images, INTAR Gallery, New York, USA | |
| Figures: Form and Fiction, Everson Museum of Art, Syracuse, New York, USA | |
| Heresies: Issues That Won't Go Away, PPOW Gallery, New York, USA | |
| Just Like a Woman, Greenville County Museum of Art, Greenville, North Carolina, USA | |
| Transformative Visions, Newhouse Center for Contemporary Arts, Snug Harbour, New York, USA | |
| 1987 From the Other Side, Terne Gallery, New York, USA | |
| 1986 | Caribbean Art/African Currents, Museum of Contemporary Hispanic Art, New York, USA |
| In Homage to Ana Mendieta, Zeus-Trabia Gallery, New York, USA | |
| Race and Representation, Hunter Gallery, Hunter College, New York, USA | |
| 1985 | Awards in the Visual Arts 4, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA; travelled to Albright-Knox Art Gallery, Buffalo, New York, USA |
| 1984 | American Academy in Rome, Rome, Italy |
| Aqui: Latin American Artists Working and Living in the United States, Fisher Gallery, University of Southern California, Los Angeles, California, USA; travelled to May Porter Sesnon Gallery, Porter College, University of California, Santa Cruz, California, USA | |
| Borsiste Straniere in Italia, Il Signo a Spoleto, Palazzo Piccoli, Spoleto, Italy | |
| Furrows, Rhode Island School of Design, Providence, Rhode Island, USA | |
| Land Marks, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, USA | |
| Latin American Visual Thinking, Art Awareness, Lexington, New York, USA | |
| MacArthur Park Public Art Program: Phases I-IV, Otis Art Institute at Parsons School of Design, Los Angeles, California, USA | |
| National Women's Art Exhibition, Women's Pavilion, Louisiana World's Fair, Kenner, Louisiana, USA | |
| Soul Catchers, Stellweg-Seguy Gallery, New York, USA | |
| 1983 | Contemporary Latin American Art, Chrysler Museum, Norfolk, Virginia, USA |
| Exchange of Sources: Expanding Powers, California State College, Stanislaus, California, USA | |
| Feminist Art: Issues and Images, Hamilton College, Clinton, New York, USA | |
| Latin American Women Artists, Central Hall Artist, New York, USA | |
| Printed By Women, The Print Club, Philadelphia, Pennsylvania, USA | |
| Seven Women: Image/Impact, P.S. 1, The Institute for Art and Urban Resources, Inc., Long Island City, New York, USA | |
| The Fertility Imperative, Cuchalon Gallery, New York, USA | |
| 1982 | 4 Manifestoes, Lerner-Heller Gallery, New York, USA |
| Art Across the Park, El Museo del Barrio, New York, USA | |
| Contemporary Outdoor Sculpture at the Guild, The Guild Inn, Toronto, Canada | |
| ¡Luchar! An Exhibition for the People of South America, Taller Latino America, New York, USA | |
| Nature and Metaphor, Greene Space Gallery, New York, USA | |
| Primer Salon Fotografia, Galeria Havana Libre, Havana, Cuba | |
| Ritual and Rhythm: Visual Forces for Survival, Kenkeleba House, New York, USA | |
| Seventh Season Part II, Real Art Ways, Hartford, Connecticut, USA | |
| Women of the Americas: Emerging Perspectives, The Center for Inter-American Relations and Konkos Gallery, New York, USA | |
| 1981 | IV Medellin Art Biennial, Museo de Arte Moderno de Medellin, Medellin, Colombia |
| A.I.R. Gallery, New York, USA | |
| Art and Ecological Issues, Hunter Gallery, Hunter College, New York, USA | |
| From the Files VARS at JAM Just Above Midtown, New York, USA | |
| Helen Sklien Gallery, Boston, Massachusetts, USA | |
| Latin American Art: A Woman's View, Frances Wolfson Art Gallery, Dade Community College, Miami, Florida, USA | |
| Lunds Kontshall, Lund, Sweden | |
| Primer Salon de Pequeno Formato, Galeria Havana Libre, Havana, Cuba | |
| Projects in Nature, Wave Hill, The Bronx, New York, USA | |
| Ritual and Landscape, Touchstone Gallery, New York, USA | |
| Sculpture Garden, Wards Island, New York, USA | |
| Streetworks, Washington Project for the Arts, Washington, D.C., USA | |
| Transformation: Women in Art 1970-1980, Art Expo 1981, New York, USA | |
| Voices Expressing What Is, Westbeth Gallery, New York, USA | |
| 1980 | Art Across the Park, Central Park, Sculpture Garden, and Wards Island, New York, USA |
| Dialects: Diverse Bookworks by Black and Hispanic Artists, Franklin Furnace, New York, USA | |
| Dialects of Isolation: An Exhibition of Third World Women Artists in the United States, A.I.R. Gallery, New York, USA | |
| Latin American Artists-80, Cayman Gallery, New York, USA | |
| Plakat Action, Frankfurt, Germany | |
| Renderings of Modern Woman, Joseloff Gallery, University of Hartford, Hartford, Connecticut, USA | |
| Women/Image/Nature, Tyler School of Art, Temple University, Philadelphia, Pennsylvania; travelled to Rochester Institute of Technology, Rochester, New York, USA | |
| 1979 | NYA.I.R. Gallery, New York, USA |
| By the Sea, Queens Museum, Queens, New York, USA | |
| CAPS Sculpture Show, College of Fine and Applied Arts, Rochester Institute of Technology, Rochester, New York, USA | |
| Exchanges I, Abron Arts Center, Henry Street Settlement, New York, USA | |
| Expressions of Self: Women and Autobiography, Douglass College Art Gallery, Rutgers University, New Brunswick, New Jersey, USA | |
| Lines, Points & Planes, The Roosevelt Public Library Art Workshop Gallery, Roosevelt, New York, USA | |
| Mason Gross School for the Arts Gallery, Rutgers University, New Brunswick, New Jersey, USA | |
| Private Icon, Bronx Museum of Arts, Bronx, New York, USA | |
| Window to the South, Abron Arts Center, Henry Street Settlement, New York, USA | |
| 1978 | Spaces II, Amelie A. Wallace Gallery, State University of New York of Old Westbury, Old Westbury, New York, USA |
| Variations on Latin Themes in New York, The Center for Inter-American Relations, New York, USA | |
| Work in Progress, C Space, New York, USA | |
| 1977 | A.I.R. Gallery, New York, USA |
| Contact: Women and Nature, Hurlbutt Gallery, Greenwich, Connecticut, USA | |
| Corroboree: Gallery of New Concepts, University of Iowa, Iowa City, Iowa, USA | |
| Feminist Statements, Women's Building, Los Angeles, California, USA | |
| M.F.A. Exhibition 1976-1977, Museum of Art, University of Iowa, Iowa City, Iowa, USA | |
| Raices Antigues/ Visiones Nuevas (Ancient Roots/New Visions), Tucson Museum Art, Tuscon, Arizona, USA; travelled to National Collection of Fine Art, Washington, D.C., USA; Albuquerque Museum of Art, Albuquerque, New Mexico, USA; El Paso Museum of Art, El Paso, Texas, USA; Blaffer Gallery, Houston, Texas, USA; Colorado Springs Fine Arts Center, Colorado Springs, Colorado, USA; Everson Art Museum, Syracuse, New York, USA; San Antonio Art Museum, San Antonio, Texas, USA; Museum of Contemporary Art, Chicago, Illinois, USA | |
| 1976 | Mexico, University of Iowa, Iowa City, Iowa, USA |
| 1975 | 112 Greene Street, New York, USA |
| PERFORMANCES | |
| 1982 | Body Tracks, Franklin Furnace, New York, USA |
| 1978 | La Noche, Yemaya, Franklin Furnace, New York, USA |
| 1976 | Untitled (Blood and Feathers), Studenski Kulturni Center, Belgrade, Yugoslavia |
| Untitled (Blood and Feathers), International Culture Center, Antwerp, Belgium | |
| 1975 | Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, USA |
| 1974 | Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, USA |
| The Museum of Art, University of Iowa, Iowa City, Iowa, USA | |
| Universidad Professional Zacatenco, Mexico City, Mexico | |
| University of Wisconsin, Madison, Wisconsin, USA | |
| 1973 | Clinton Arts Center, Clinton, Iowa, USA |
| Freeze, Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, USA | |
| 1972 | Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, USA |
| AWARDS | |
| 2009 | Visual Arts Lifetime Achievement Award, Cintas Foundation, New York, USA |
| 1984 | Award in the Visual Arts, Southeastern Center for Contemporary Art (SECCA), Winston-Salem, North Carolina, USA |
| 1983 | Rome Prize, American Academy in Rome, Italy |
| 1982 | National Endowment for the Arts Fellowship, Washington, D.C., USA |
| New York State Council on the Arts Grant, New York, USA | |
| 1980 | John Simon Guggenheim Foundation Fellowship |
| National Endowment for the Arts Grant, Washington, D.C., USA | |
| 1979 | Creative Arts Program Services Grant, New York Foundation for the Arts, New York, USA |
| 1977 | National Endowment for the Arts Grant, Washington, D.C., USA |
| MONOGRAPHS | |
| Covered in Time and History: The Films of Ana Mendieta, Katherine E. Nash Gallery, University of Minnesota, in association with University of California Press, 2015 | |
| Ana Mendieta: Traces, Hayward Publishing, London, UK, 2013 | |
| Ana Mendieta: She Got Love, Castello di Rivoli d'Arte Contemporanea, 2013 | |
| Ana Mendieta: Blood & Fire, Galerie Lelong, Paris, France, 2011 | |
| Viso, Olga M., Unseen Mendieta, Munich, Berlin, London, New York: Prestel, 2008 | |
| Viso, Olga M., Ana Mendieta: Earth Body, Ostfildern-Ruit, Germany: Hatie Cantz, 2004 | |
| Ana Mendieta, Santiago de Compestela: Centro Galego de Arte Contemporanea, 1996 | |
| Ana Mendieta: 1948 - 1985, Helsinki: Helsinki City Art Museum, 1996 | |
| Clearwater, Bonnie, Ana Mendieta: A Book of Works, Miami: Grassfield Press Inc., 1992 | |
| Jacob, Mary Jane, Ana Mendieta: The 'Silueta' Series, 1973-1980, New York: Galerie Lelong, 1992 | |
| Ana Mendieta: A Retrospective, New York: The New Museum of Contemporary Art, 1987 | |
| PUBLIC COLLECTIONS | |
| Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, USA | |
| Allen Memorial Art Gallery, Oberlin College, Oberlin, Ohio, USA | |
| Art Gallery of New South Wales, Sydney, Australia | |
| Art Institute of Chicago, Chicago, Illinois, USA | |
| Bacardi Art Foundation, Miami, Florida, USA | |
| Baltimore Museum of Art, Maryland, USA | |
| William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, USA | |
| Blanton Museum of Art, The University of Texas at Austin, Austin, Texas, USA | |
| Brooklyn Museum, Brooklyn, New York, USA | |
| Centre Pompidou, Paris, France | |
| Centro Andaluz de Arte Contemporaneo, Sevilla, Spain | |
| Centro Atlantico de Arte Moderno, Vegueta, Spain | |
| Centro Cultural de Arte Contemporáneo, Mexico City, Mexico | |
| Chase Manhattan Bank, New York, USA | |
| Contemporary Art Museum St. Louis, St. Louis, Missouri, USA | |
| Dallas Museum of Fine Art, Texas, USA | |
| Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, USA | |
| De la Cruz Collection Contemporary Art Space, Miami, Florida, USA | |
| Des Moines Art Center, Des Moines, Iowa, USA | |
| First Chicago National Bank, Chicago, Illinois, USA | |
| Florida International University, Miami, Florida, USA | |
| Fort Lauderdale Museum of Art, Fort Lauderdale, Florida, USA | |
| Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA | |
| Solomon R. Guggenheim Museum, New York, USA | |
| Henry Art Gallery, University of Washington, Seattle, Washington, USA | |
| Helsinki City Art Museum, Helsinki, Finland | |
| Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, USA | |
| Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA | |
| LINC Collection, Chicago, Illinois, USA | |
| Los Angeles County Museum of Art, Los Angeles, California, USA | |
| M+ Museum, Hong Kong, HK | |
| Metropolitan Museum of Art, New York, USA | |
| Miami Art Museum, Miami, Florida, USA | |
| Miami Dade Public Library, Miami, Florida, USA | |
| Milwaukee Art Museum, Milwaukee, Wisconsin, USA | |
| Musee d'Art Moderne et Contemporain, Geneva, Switzerland | |
| Museo Nacional Centro de Arte Reina Sofia, Madrid | |
| Museum of Contemporary Art, Chicago, Illinois, USA | |
| Museum of Contemporary Art, Los Angeles, California, USA | |
| Museum of Contemporary Art, Miami, Florida, USA | |
| Museum of Fine Arts, Boston, Massachusetts, USA | |
| Museum of Modern Art, New York, USA | |
| National Gallery of Art, Washington, D.C., USA | |
| Norton Museum of Art, West Palm Beach, Florida, USA | |
| Palmer Museum of Art, Penn State University, University Park, Pennsylvania, USA | |
| Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA | |
| Rhode Island School of Design, Providence, Rhode Island, USA | |
| Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA | |
| Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida, USA | |
| San Francisco Museum of Modern Art, San Francisco, California, USA | |
| Smithsonian American Art Museum, Washington, D.C., USA | |
| Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, USA | |
| Tate, London, UK | |
| Toledo Museum of Art, Toledo, Ohio, USA | |
| University of Iowa, Iowa City, Iowa, USA | |
| Wadsworth Athenaeum, Hartford, Connecticut, USA | |
| Weatherspoon Art Museum, University of North Carolina, Greensboro, North Carolina, USA | |
| Wexner Center for the Visual Arts, Columbus, Ohio, USA | |
| Whitney Museum of American Art, New York, USA | |